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See also:BECCAFUMI, DOMENICO DI See also:PACE (1486-1551) , See also:Italian painter, of the school of See also:Siena. In the See also:early days of the Tuscan republics Siena had been in See also:artistic See also:genius, and almost in See also:political importance, the See also:rival of See also:Florence. But after the See also:great See also:plague in 1348 the See also:city declined; and though her See also:population always comprised an immense number of skilled artists and artificers, yec her school did not See also:share in the See also:general progress of See also:Italy in the 15th See also:century. About the See also:year 1500, indeed, Siena had no native artists of the first importance; and her public and private commissions were often given to natives of other cities. But after the uncovering of the See also:works of See also:Raphael and See also:Michelangelo at See also:Rome in 15o8, all the See also:schools of Italy were stirred with the See also:desire of imitating them. Among these accomplished men who now, without the mind and See also:inspiration of Raphael or Michelangelo, mastered a great See also:deal of their manner, and initiated the decadence of Italian See also:art, several of the most accomplished arose in the school of Siena. Among these was Domenico, the son of a See also:peasant, one Giacomo di Pace, who worked on the See also:estate of a well-to-do See also:citizen named Lorenzo Beccafumi. Seeing some signs of a See also:talent for See also:drawing in his labourer's son, Lorenzo Beccafumi took the boy into his service and presently adopted him, causing him to learn See also:painting from masters of the city. Known after-wards as Domenico Beccafumi, or earlier as I1 Mecarino (from the name of a poor artist with whom he studied). the peasant's son soon gave See also:proof of extraordinary See also:industry and talent. In 1509 he went to Rome and steeped himself in the manner of the great men who had just done their first See also:work in the Vatican. Returning to his native See also:town, Beccafumi quickly gained employment and a reputation second only to See also:Sodoma. He painted a vast number both of religious pieces for churches and of mythological decorations for private patrons. But the work by which he will longest be remembered is that which he did for the celebrated See also:pavement of the See also:cathedral of Siena. For a See also:hundred and fifty years the best artists of the See also:state had been engaged
laying down this pavement with vast designs in commesso work,--See also: Additional information and CommentsThere are no comments yet for this article.
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