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See also:FULLER, See also:GEORGE (1822—1884) , See also:American figure and portrait painter, was See also:born at See also:Deerfield, See also:Massachusetts, in 1822. At the See also:age of twenty he entered the studio of the sculptor H. K. See also:- BROWN
- BROWN, CHARLES BROCKDEN (1771-181o)
- BROWN, FORD MADOX (1821-1893)
- BROWN, FRANCIS (1849- )
- BROWN, GEORGE (1818-188o)
- BROWN, HENRY KIRKE (1814-1886)
- BROWN, JACOB (1775–1828)
- BROWN, JOHN (1715–1766)
- BROWN, JOHN (1722-1787)
- BROWN, JOHN (1735–1788)
- BROWN, JOHN (1784–1858)
- BROWN, JOHN (1800-1859)
- BROWN, JOHN (1810—1882)
- BROWN, JOHN GEORGE (1831— )
- BROWN, ROBERT (1773-1858)
- BROWN, SAMUEL MORISON (1817—1856)
- BROWN, SIR GEORGE (1790-1865)
- BROWN, SIR JOHN (1816-1896)
- BROWN, SIR WILLIAM, BART
- BROWN, THOMAS (1663-1704)
- BROWN, THOMAS (1778-1820)
- BROWN, THOMAS EDWARD (1830-1897)
- BROWN, WILLIAM LAURENCE (1755–1830)
Brown, at See also:Albany, New See also:York, where he See also:drew from the See also:cast and modelled heads. Having attained some proficiency he went about the See also:country See also:painting portraits, settling at length in See also:Boston, where he studied the See also:works of the earlier Americans, See also:Stuart, See also:Copley and See also:Allston. After three years in that See also:city, and twelve in New York, where in 1857 he was elected a member of the See also:National See also:Academy of See also:Design, he went to See also:Europe for a brief visit and for study. During all this See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time his See also:work had received little recognition and practically no See also:financial encouragement, and on his return he settled on the See also:family See also:farm at Deerfield, where he continued to work in his own way with no thought of the outside See also:world. In 1816, however, he was forced by pressing needs to dispose of his work, and he sent some pictures to a dealer in Boston, where he met with immediate success, financial and See also:artistic, and for the remaining eight years of his See also:life he never lacked patrons. He died in Boston on the 21st of See also:March 1884. He was a poetic painter, and a dreamer of delicate fancies and See also:quaint, intangible phases of nature, his canvases being usually enveloped in a brown mist that renders the outlines vague.
End of Article: FULLER, GEORGE (1822—1884)
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