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GENERAL AUTHORITIES ON TECIINIQUE

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Originally appearing in Volume V20, Page 497 of the 1911 Encyclopedia Britannica.
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See also:

GENERAL AUTHORITIES ON TECIINIQUE .—Hamerton, The Graphic Arts: A See also:Treatise on the Varieties of See also:Drawing, See also:Painting and See also:Engraving (See also:London, 1882), a See also:work combining technical and See also:artistic See also:information, is the best single See also:book on this subject. More archaeological is Berger, Beitrage zur Entwickelungs-Geschichte der Maltechnik (See also:Munich, 1897–1904; partly in second See also:editions. The last See also:part is yet to come). The See also:series Quellenschriften See also:fur Kunstgeschichte and Kunsttechnik See also:des Mittelalters and der See also:Renaissance (See also:Vienna, various See also:dates from 1871) contains many publications of much value, among them being, i., Cennino Cennini, Das See also:Buch von der Kunst, See also:German trans. of the Trattato, with See also:note by Ilg; vii., See also:Theophilus, Schedula diversarum artium, Ger. trans. by Ilg. Cennino's Trattato has also been edited in See also:English by Mrs Hertingham (London, 1899). Mrs Merrifield, See also:Ancient Practice of Painting (2 vols., London, 1849), and See also:Sir See also:Charles See also:Eastlake, Materials for a See also:History of Oil Painting (2 vols., 1849 and 1869), are valuable See also:standard See also:works. Information as to See also:Byzantine processes is to be found in the See also:Mount See also:Athos Handbook in " See also:Manuel d'iconographie chretienne grecque et latine," by See also:Didron the See also:elder (See also:Paris, 1845). See also:Church, The See also:Chemistry of Paints and Painting (3rd ed., London,19o1), is by far the best book on its subject. See also:Vasari on Technique, trans. by See also:Miss Maclehose and edited with commentary by See also:Baldwin See also:Brown (London, 1907), contains a See also:good See also:deal of information. See also:Paul See also:Schultze-See also:Naumburg, See also:Die Technik der Malerei (See also:Leipzig, no date) ; Vibert, La See also:Science de la peinture (Paris, 189o), may also be mentioned.

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