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See also:FISCHART, JOHANN (c. 1545–1591) , See also:German satirist and publicist, was See also:born, probably at See also:Strassburg (but according to some accounts at See also:Mainz), in or about the See also:year 1545, and was educated at See also:Worms in the See also:house of Kaspar Scheid, whom in the See also:preface to his See also:Eulenspiegel he mentions as his " See also:cousin and See also:preceptor." He appears to have travelled in See also:Italy, the Nether-lands, See also:France and See also:England, and on his return to have taken the degree of See also:doctor See also:juris at See also:Basel. From 1575 to 1581, within which See also:period most of his See also:works were written, he lived with, and was probably associated in the business of, his See also:sister's See also:husband, Bernhard Jobin, a printer at Strassburg, who published many of his books. In 1581 Fischart was attached, as See also:advocate to the Reichskammergericht (imperial See also:court of See also:appeal) at See also:Spires, and in 1583, when he married, was appointed Amtmann (See also:magistrate) at See also:Forbach near Saarbriicken. Here he died in the See also:winter of 1590-1591. Fischart wrote under various feigned names, such as Mentzer, Menzer, Reznem, Huldrich Elloposkleros, Jesuwalt Pickhart, Winhold Alkofribas Wiistblutus, See also:Ulrich Mansehr von Treubach, and See also:Im Fischen Gilt's Mischen; and it is partly owing to this fact that there is doubt whether some of the works attributed to him are really his. More than 50 satirical works, however, both in See also:prose and See also:verse, remain See also:authentic, among which are—Nachtrab See also:oder Nebelkrdh (1570), a See also:satire against one See also:Jakob Rabe, who had become a convert to the See also:Roman See also:Catholic See also: He was a lawyer, a theologian, a satirist and the most powerful See also:Protestant publicist .of the See also:counter-See also:reformation period; in politics he was a republican. Above all, he is a See also:master of See also:language, and was indefatigable with his See also:pen. His satire was levelled mercilessly at all perversities in the public and private See also:life of his time—at astrological superstition, scholastic pedantry, ancestral See also:pride, but especially at the papal dignity and the lives of the priesthood and the Jesuits. He indulged in the wildest witticisms, the most abandoned See also:caricature; but all this he did with a serious purpose. As a poet, he is characterized by the eloquence and picturesqueness of his See also:style and the symbolical language he employed. See also:Thirty years after Fischart's See also:death his writings, once so popular, were almost entirely forgotten. Recalled to the public See also:attention by Johann Jakob See also:Bodmer and Gotthold See also:Ephraim See also:Lessing, it is only recently that his works have come to be a subject of investigation, and his position in German literature to be fully understood. Freiherr von Meusebach, whose valuable collection of Fischart's works has passed into the See also:possession of the royal library in See also:Berlin, deals in his Fischartstudien (See also:Halle, 1879) with the See also:great satirist. Fischart's poetical works were published by See also:Hermann See also:Kurz in three volumes (See also:Leipzig, 1866–1868) ; and selections by K. Goedeke (Leipzig, 1800) and by A. Hauffen in Kurschner's Deutsche Nationallileratur (See also:Stuttgart, 1893) ; See also:Die Geschichtklitterung and some See also:minor writings appeared in Scheible's Kloster, vols. 7 and 10 (Stuttgart, 1847–1848). Das gluckhafft Schiff has been frequently reprinted, See also:critical edition by J. Baechtold (1880). See for further See also:biographical details, Erich See also:Schmidt in the Allgemeine deutsche Biographie, vol. 7; A. F. C. Vilmar in See also:Ersch and See also:Gruber's See also:Encyclopaedia; W. Wackernagel, Johann Fischart von Strassburg and See also:Base's Anteil an ihm (2nd ed., Basel, 1875) ; P. Besson, Etude sur See also:Jean Fischart (See also:Paris, 1889) ; and A. Hauffen, Fischart-Studien " (in See also:Euphorion, 1896–1909). Additional information and CommentsThere are no comments yet for this article.
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