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See also:HIMMEL, See also:FREDERICK See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
HENRY (1765-1814) , See also:German composer, was See also:born on the loth of See also:November 1765 at Treuenbrietzen in See also:Brandenburg,. See also:Prussia, and originally studied See also:theology at See also:Halle. During a temporary stay at See also:Potsdam he had an opportunity of showing his self-acquired skill as a pianist before See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King Frederick See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William II., who thereupon made him a yearly See also:allowance to enable him to See also:complete his musical studies. This he did under See also:Naumann, a German composer of the See also:Italian school, and the See also:style of that school Himmel himself adopted in his serious operas. The first of these, a See also:pastoral See also:opera, Il Primo Naviigatore, was produced at See also:Venice in 1794 with See also:great success. In 1792 he went to See also:Berlin, where his See also:oratorio Isaaco was produced, in consequence of which he was made See also:court Kapellmeister to the king of Prussia, and in that capacity wrote a great See also:deal of See also:official See also:music, including cantatas, and a See also:coronation Te Deum. His Italian operas, successively composed for See also:Stockholm, St See also:Peters-See also:burg and Berlin, were all received with great favour in their See also:day. Of much greater importance than these is an operetta to German words by See also:Kotzebue, called Fanchox, an admirable specimen of the See also:primitive See also:form of the musical See also:drama known in See also:Germany as the Sings See also:pie!. Himmel's See also:gift of See also:writing genuine See also:simple See also:melody is also observable in his songs, amongst which one called " To See also:Alexis " is the best. He died in Berlin on the 8th of See also:June 1814.
End of Article: HIMMEL, FREDERICK HENRY (1765-1814)
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