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See also:MOORE, See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
HENRY (1831–1895) , See also:English painter, the ninth son of See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William Moore, of See also:York, and See also:brother of See also:Albert See also:Joseph Moore, was See also:born in that See also:city on the 7th of See also:March 1831. His See also:artistic See also:education was chiefly supervised by his See also:father, but he also attended the York School of See also:Design, and worked for a See also:short See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time in the Royal See also:Academy See also:Schools. He first exhibited at the Academy in 1853, and was a See also:constant contributor to its exhibitions till his See also:death. At the outset of his career he occupied himself mostly with landscapes and paintings of animals, executed with extraordinary detail in See also:imitation of the prevailing See also:taste of the Pre-Raphaelite Brotherhood; but in 1857, while on a visit to the See also:West of See also:England, he made his first attempts as a See also:sea-painter. His success was immediate, and it had the effect of diverting hiq almost entirely from landscapes. Among his most important canvases must be reckoned " The See also:Pilot Cutter " in 1866, " The See also:Salmon Poachers " in 1869, " The Lifeboat " in 1876, " Highland Pastures " in 1878, " The Beached Margent of the Sea " in 188o, " The See also:Newhaven Packet " (bought by the See also:Birmingham See also:Corporation), and " Catspaws off the See also:Land " (bought by the See also:Chantrey Fund trustees); in 1885, " See also:Mount's See also:Bay " (bought by the See also:Manchester Corporation) in 1886, " Nearing the Needles " in 1888, " Machrihanish Bay, Cantyre," in 1892, " See also:Hove-to for a Pilot " in 1893, and " Glen Orchy," a landscape, in 1895. He was elected an See also:associate
of the Royal Society of Painters in See also:Water See also:Colours in 1876, and a full member in r88o; an associate of the Royal Academy in 1885, and an academician in 1893; and at See also:Paris, in 1887, where he exhibited " The Newhaven Packet " and " The Clearness after See also:Rain," he received a See also:grand prix and was made a See also:knight of the See also:Legion of See also:Honour. He died at See also:Margate on the 22nd of See also:June 1895. His See also:works are marked by admirable appreciation of nature, and by a rare understanding of See also:wave-See also:form and See also:colour and of the subtleties of atmospheric effect; and as a sea-painter he may fairly be regarded as almost without a See also:rival.
End of Article: MOORE, HENRY (1831–1895)
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