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See also:STUCK, See also:FRANZ (1863— ) , See also:German painter, was See also:born at Tettenweis, in See also:Bavaria, and received his See also:artistic training at the See also:Munich See also:Academy. He first made a name with his illustrations for Fliegende Blatter, and See also:vignette designs for programmes and See also:book decoration. He did not devote himself to See also:painting till after 1889, the See also:year in which he achieved a marked success with his first picture, " The Warder of See also:Paradise." His See also:style in painting is based on a thorough mastery of See also:design, and is sculptural rather than pictorial. His favourite subjects are of mythological and allegorical See also:character, but in his treatment of See also:time-worn motifs he is altogether unconventional. A statuette of an See also:athlete, See also:bronze casts of which are at the See also:Berlin and See also:Budapest See also:classics and a third in See also:mathematics. He was elected a See also:fellow of Trinity See also:College, and held the college living of Navestock, See also:Essex, from 1850 to 1866. He was librarian at See also:Lambeth, and in 1862 was an unsuccessful See also:candidate for the Chichele professorship of See also:modern See also:history at See also:Oxford. In 1866 he was appointed regius See also:professor of modern history at Oxford, and held the See also:chair until 1884. His lectures were thinly attended, and he found them grievous interruptions to his See also:historical See also:work. Some of his statutory lectures are published in his Lectures on Mediaeval and Modern History. He was See also:rector of Cholderton, See also:Wiltshire, from 1875 to 1879, when he was appointed a See also:canon of St See also:Paul's. He served on the ecclesiastical courts See also:commission of 1881—1883, and wrote the weighty appendices to the See also:report. On the 25th of See also:April 1884 he was consecrated See also:bishop of See also:Chester, and in 1889 was translated to the see of Oxford. Until Bishop See also:Stubbs found it necessary to devote all his time to his episcopal duties, he pursued historical study with unremitting See also:diligence. He rejected the theory of the unity and continuity of history so far as it would obliterate distinctions between See also:ancient and modern history, holding that, though work on ancient history is a useful preparation for the study of modern history, either may advantageously be studied apart. He urged that history is not to be treated as an exact See also:science, and that the effects of individual character and the operations of the human will necessarily render generalizations vague and consequently useless. While pointing out that history has a utility as a See also:mental discipline and a See also:part of a liberal See also:education, he recommended its study chiefly for its own See also:sake, for the truth's sake and for the See also:pleasure which it brings. It was in this spirit that he worked; and his intellectual character was peculiarly fitted for his work, for he was largely endowed with the See also:faculty of See also:judgment and with a See also:genius for See also:minute and See also:critical investigation. He was eminent alike in ecclesiastical history, as an editor of texts and as the historian of the See also:English constitution. His right to be held as an authority on ecclesiastical history was proved in 1858 by his Registrum sacrum anglicanum, which sets forth episcopal See also:succession in See also:England, by many other later See also:works, and particularly by his See also:share in See also:Councils and Ecclesiastical Documents, edited in co-operation with the Rev. A. W. Haddan, for the third See also:volume of which he was specially responsible. His See also:place as a See also:master in critical scholarship and historical exposition is decided beyond debate by the nineteen volumes which he edited for the Rolls See also:series of See also:Chronicles and Memorials. It is, however, by his Constitutional History of England that he is most widely known as a historian. The See also:appearance of this book, which traces the development of the English constitution from the See also:Teutonic invasions of See also:Britain till 1485, marks a distinct step in the advance of English historical learning. Specialists may here and there improve on a statement or a theory, but it will always remain a See also:great authority, a See also:monument of patient and exhaustive See also:research of intellectual See also:power, and of ripe and disciplined judgment. Its See also:companion volume of Select Charters and other Illustrations of English Constitutional History, admirable in itself, has a See also:special importance in that its See also:plan has been imitated with See also:good results both in England and the See also:United States. Bishop Stubbs belongs to the front See also:rank of historical scholars both as an author and a critic. Among Englishmen at least he excels all others as a master of every See also:department of the historian's work, from the See also:discovery of materials to the elaboration of well-founded theories and See also:literary See also:production. He was a good palaeographer, and excelled in textual See also:criticism, in examination of authorship, and other such matters, while his vast erudition and retentive memory made him second to none in See also:interpretation and exposition. His carefulness was exemplary, and his references are always exact. His merits as an author are often judged solely by his Constitutional History. The learning and insight which this book displays are unquestionable: it is well planned, and its contents are well arranged; but constitutional history is not a lively subject, and, in spite of the skill with which Stubbs handled it and the genius displayed in his narrative See also:national galleries and the See also:Hamburg Museum, affords convincing See also:proof of his See also:talent for plastic See also:art. Among his paintings the best known are " See also:Sin " and " See also:War," at the Munich Pinakothek, " The See also:Sphinx," " The Crucifixion," " The Rivals," Paradise Lost," " See also:Oedipus," " Temptation," and " See also:Lucifer." Though Stuck was one of the leaders of the Munich Sezession, he enjoyed an See also:appointment of professor at the academy. Additional information and CommentsThere are no comments yet for this article.
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