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See also:HILLIARD, See also:- LAWRENCE
- LAWRENCE (LAURENTIUS, LORENZO), ST
- LAWRENCE, AMOS (1786—1852)
- LAWRENCE, AMOS ADAMS (1814–1886)
- LAWRENCE, GEORGE ALFRED (1827–1876)
- LAWRENCE, JOHN LAIRD MAIR LAWRENCE, 1ST BARON (1811-1879)
- LAWRENCE, SIR HENRY MONTGOMERY (1806–1857)
- LAWRENCE, SIR THOMAS (1769–1830)
- LAWRENCE, STRINGER (1697–1775)
LAWRENCE (d. 1640) , See also:English See also:miniature painter. The date of his See also:birth is not known, but he died in 164o. He was the son of See also:Nicholas Hilliard, and evidently derived his See also:Christian name from that of his grandmother. He adopted his See also:father's profession and worked out the unexpired See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time of his See also:licence after Nicholas Hilliard died. It was from Lawrence Hilliard that See also:Charles I. received the portrait of See also:Queen See also:Elizabeth now at See also:Montagu See also:House, since See also:van der See also:Dort's See also:catalogue describes it as " done by old Hilliard, and bought by the See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king of See also:young Hilliard." In 1624 he was paid £42 from the See also:treasury for five pictures, but the See also:warrant does not specify whom they represented. His portraits are of See also:great rarity, two of the most beautiful being those in the collections of See also:Earl See also:Beauchamp and Mr J. Pierpont See also:Morgan. They are as a See also:rule signed L.H., but are also to be distinguished by the beauty of the calligraphy in which the See also:inscriptions See also:round the portraits are written. The See also:writing is as a rule very florid, full of exquisite curves and flourishes, and more elaborate than the more formal See also:handwriting of Nicholas Hilliard. The See also:colour See also:- SCHEME (Lat. schema, Gr. oxfjya, figure, form, from the root axe, seen in exeiv, to have, hold, to be of such shape, form, &c.)
scheme adopted by the son is richer and more varied than that used by the father, and Lawrence Hilliard's miniatures are not so hard as are those of Nicholas, and are marked by more shade and a greater effect of See also:atmosphere. (G. C.
End of Article: HILLIARD, LAWRENCE (d. 1640)
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