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See also:RIVIERE, BRITON (1840- ) , See also:English artist, was See also:born in See also:London on the 14th of See also:August 184o. His See also:father, See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William Riviere, was for some years See also:drawing-See also:master at See also:Cheltenham See also:College, and afterwards an See also:art teacher at See also:- OXFORD
- OXFORD, EARLS OF
- OXFORD, EDWARD DE VERE, 17TH EARL
- OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
- OXFORD, PROVISIONS OF
- OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
- OXFORD, ROBERT HARLEY, 1ST
Oxford. He was educated at Cheltenham College and at Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father, and See also:early in See also:life made for him-self a See also:place of importance among the artists of his See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time. His first pictures appeared at the See also:British Institution, and in 1857 he exhibited three See also:works at the Royal See also:Academy, but it was not until 1863 that he became a See also:regular contributor to the Academy exhibitions. In that See also:year he was represented by "The See also:Eve of the See also:Spanish See also:Armada," and in 1864 by a "Romeo and Juliet." Subjects of this See also:kind did not, however, attract him See also:long, for in 1865 he began, with a picture of a " Sleeping Deerhound," that See also:series of paintings of See also:animal-subjects which has since occupied him almost exclusively. Among the mostmemorable of his productions are: " The Poacher's See also:Nurse ^ (1866), " See also:Circe " (1871), " See also:Daniel " (1872), " The Last of the See also:Garrison " (1875), " See also:Lazarus " (1897), " See also:Persepolis " (1878), " In Manus Tuas, Domine " (1879), " The Magician's See also:Doorway " (1832), " Vae Victis " (1885), " Rizpah " (1886), " An Old-See also:Work, Wanderer " (1887), " Of a See also:Fool and his Folly there is no End " (1889), " A Mighty See also:Hunter before the See also:Lord " (1891), " The See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King's See also:Libation " (1893), " Beyond See also:Man's See also:Foot-steps " (1894), now in the See also:National See also:Gallery of British Art;
See also:Phoebus See also:Apollo " (1895); " See also:Aggravation " (1896), " St See also:George " (19oo), and " To the Hills " (1901). He has also painted portraits; and at the outset of his career made some See also:mark as an illustrator, beginning with See also:Punch. He was elected an See also:Associate of the Royal Academy in 1878, and R.A. in 1881, and received the degree of D.C.L. at Oxford in 1891.
See See also:Sir See also:Walter See also:Armstrong, " Briton Riviere, R.A.; His Life and Work," Art See also:Annual (1891).
End of Article: RIVIERE, BRITON (1840- )
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