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See also:GROSE, See also:FRANCIS (c. 1730–1791) , See also:English See also:antiquary, was See also:born at Greenford in See also:Middlesex, about the See also:year 1730. His See also:father was a wealthy Swiss jeweller, settled at See also:Richmond, See also:Surrey. Grose See also:early showed an See also:interest in See also:heraldry and antiquities, and his father procured him a position in the Heralds' See also:College. In 1763, being then Richmond See also:Herald, he sold his See also:tabard, and shortly afterwards became See also:adjutant and paymaster of the See also:Hampshire See also:militia, where, as he himself humorously observed, the only See also:account-books he kept were his right and See also:left pockets, into the one of which he received, and from the other of which he paid. This carelessness exposed him to serious See also:financial difficulties; and after a vain See also:attempt to repair them by' accepting a captaincy in the Surrey militia, the See also:fortune left him by his father being squandered, he began to turn to account his excellent See also:education and his See also:powers as a draughtsman. In 1757 he had been elected See also:fellow of the Society of Antiquaries. In 1773 he began to publish his Antiquities of See also:England and See also:Wales, a See also:work which brought him See also:money as well as fame. This, with its supplementary parts See also:relating to the Channel Islands, was not completed till 1787. In 1789 he set out on an antiquarian tour through See also:Scotland, and in the course of this See also:journey met See also:Burns, who composed in his See also:honour the famous See also:song beginning " See also:Ken ye aught o' See also:Captain Grose," and in that other poem, still more famous, "-Hear, See also:land o' cakes, and brither Scots," warned all Scotsmen of this " chield amang them taking notes." In 1790 he began to publish the results of what Burns called " his peregrinations through Scotland;" but he had not finished the work when he bethought himself of going over to See also:Ireland and doing for that See also:country what he had already done for See also:Great See also:Britain. About a See also:month after his arrival, while in See also:Dublin, he died in an apoplectic See also:fit at the See also:dinner-table of a friend, on the 12th of See also:June 1791. Grose was a sort of antiquarian Falstaff—at least he possessed in a striking degree the See also:knight's See also:physical peculiarities; but he was a See also:man of true honour and charity, a valuable friend, " overlooking little faults and seeking out greater virtues," and an inimitable boon See also:companion. His See also:humour, his varied knowledge and his See also:good nature were all eminently calculated to make him a favourite in society. As Burns says of him " But See also:wad ye see him in his See also:glee, For meikle glee and fun has he, Then set him down, and twa or three See also:Gude See also:fellows wi' him; And See also:port, 0 port! shine See also:thou a wee, And THEN yell see him! " Grose's See also:works include The Antiquities of England and Wales (6 vols., 1773–1787) ; See also:Advice to the See also:Officers of the See also:British See also:Army (1782), a See also:satire in the manner of See also:Swift's Directions to Servants; A See also:Guide to See also:Health, Beauty, Riches and Honour (1783), a collection of advertisements of the See also:period, with characteristic satiric See also:preface; A Classical See also:Dictionary of the Vulgar See also:Tongue (1785) ; A See also:Treatise on See also:Ancient See also:Armour and Weapons (1785–1789) ; Darrell's See also:History of See also:Dover (1786) ; Military Antiquities (2 vols., 1786–1788) ; A Provincial Glossary (1787); Rules for See also:Drawing Caricatures (1788); The Antiquities of Scotland (2 vols., 1789–1791) ; Antiquities of Ireland (2 vols., 1791), edited and partly written by Ledwich. The Grumbler, sixteen humerous essays, appeared in 1791 after his See also:death; and in 1793 The Olio, a collection of essays, jests and small pieces of See also:poetry, highly characteristic of Grose, though certainly not all by him, was put together from his papers by his publisher, who was also his executor. A See also:capital full-length portrait of Grose by N. See also:Dance is in the first See also:volume of the Antiquities of England and Wales, and another is among See also:Kay's Portraits. A versified See also:sketch of him appeared in the See also:Gentleman's See also:Magazine, lxi. 66o. See Gentleman's Magazine, lxi. 498, 582 ; See also:Noble's Hist. of the College of Arms, p. 434; Notes and Queries, 1st See also:ser., ix. 350; 3rd ser., i. 64, x. 28o-281; 5th ser., xii. 148; 6th ser., ii. 47, 257, 291; See also:Hone, Every-See also:day See also:Book, i. 655. Additional information and CommentsThere are no comments yet for this article.
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