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See also:ANDERSEN, HANS See also:CHRISTIAN (1805-1875) , Danish poet and fabulist, was See also:born at See also:Odense, in Funen, on the and of See also:April 1805. He was the son of a sickly See also:young shoemaker of twenty-two, and his still younger wife: the whole See also:family lived and slept in one little See also:room. Andersen very See also:early showed signs of imaginative temperament, which was fostered by the See also:indulgence and superstition of his parents. In 1816 the See also:shoe-maker died and the See also:child was See also:left entirely to his own devices. He ceased to go to school; he built himself a little See also:toy-See also:theatre and sat at See also:home making clothes for his puppets, and See also:reading all the plays that he could See also:borrow; among them were those of See also:Holberg and See also:Shakespeare. At See also:Easter 1819 he was confirmed at the See also: Andersen, a very backward and unwilling pupil, actually remained at Slagelse and at another school in See also:Elsinore until 1827; these years, he says, were the darkest and bitterest in his life. Collin at length consented to consider him educated, and Andersen came to Copenhagen. In 1829 he made a considerable success with a fantastic volume entitled A See also:Journey on See also:Foot from See also:Holman's See also:Canal to the See also:East Point of Amager, and he published in the same See also:season a See also:farce and a See also:book of poems. He thus suddenly came into See also:request at the moment when his See also:friends had decided that no See also:good thing would ever come out of his early eccentricity and vivacity. He made little further progress, however, until 1833, when he received a small travel-See also:ling See also:stipend from the king, and made the first of his long See also:European journeys. At Le See also:Locle, in the See also:Jura, he wrote Agnate and the Merman; and in See also:October 1834 he arrived in See also:Rome. Early in 1835 Andersen's novel, The See also:Improvisatore, appeared, and achieved a real success; the poet's troubles were at an end at last. In the same See also:year, 1835, the earliest See also:instalment of Andersen's immortal See also:Fairy Tales (Eventyr) was published in Copenhagen. Other parts, completing the first volume, appeared in 1836 and 1837. The value of these stories was not at first perceived, and they sold slowly. Andersen was more successful for the See also:time being with a novel, O.T., and a volume of sketches, In See also:Sweden; in 1837 he produced the best of his romances, Only a Fiddler. He now turned his See also:attention, with but ephemeral success, to the theatre, but was recalled to his true See also:genius in the charming miscellanies of 1840 and 1842, the Picture-Book without Pictures, and A Poet's See also:Bazaar. Meanwhile the fame of his Fairy Tales had been steadily rising; a second See also:series began in 1838, a third in 1845. Andersen was now celebrated throughout See also:Europe, although in See also:Denmark itself there was still some resistance to his pretensions. In See also:June 1847 he paid his first visit to See also:England, and enjoyed a
triumphal social success; when he left, See also: Additional information and CommentsThere are no comments yet for this article.
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