|
See also:BARTOLOZZI, See also:FRANCESCO (1725-1815) , See also:Italian engraver, was See also:born at See also:Florence. He was originally destined to follow the profession of his See also:father, who was a See also:gold- and See also:silver-See also:- SMITH
- SMITH, ADAM (1723–1790)
- SMITH, ALEXANDER (183o-1867)
- SMITH, ANDREW JACKSON (1815-1897)
- SMITH, CHARLES EMORY (1842–1908)
- SMITH, CHARLES FERGUSON (1807–1862)
- SMITH, CHARLOTTE (1749-1806)
- SMITH, COLVIN (1795—1875)
- SMITH, EDMUND KIRBY (1824-1893)
- SMITH, G
- SMITH, GEORGE (1789-1846)
- SMITH, GEORGE (184o-1876)
- SMITH, GEORGE ADAM (1856- )
- SMITH, GERRIT (1797–1874)
- SMITH, GOLDWIN (1823-191o)
- SMITH, HENRY BOYNTON (1815-1877)
- SMITH, HENRY JOHN STEPHEN (1826-1883)
- SMITH, HENRY PRESERVED (1847– )
- SMITH, JAMES (1775–1839)
- SMITH, JOHN (1579-1631)
- SMITH, JOHN RAPHAEL (1752–1812)
- SMITH, JOSEPH, JR
- SMITH, MORGAN LEWIS (1822–1874)
- SMITH, RICHARD BAIRD (1818-1861)
- SMITH, ROBERT (1689-1768)
- SMITH, SIR HENRY GEORGE WAKELYN
- SMITH, SIR THOMAS (1513-1577)
- SMITH, SIR WILLIAM (1813-1893)
- SMITH, SIR WILLIAM SIDNEY (1764-1840)
- SMITH, SYDNEY (1771-1845)
- SMITH, THOMAS SOUTHWOOD (1788-1861)
- SMITH, WILLIAM (1769-1839)
- SMITH, WILLIAM (c. 1730-1819)
- SMITH, WILLIAM (fl. 1596)
- SMITH, WILLIAM FARRAR (1824—1903)
- SMITH, WILLIAM HENRY (1808—1872)
- SMITH, WILLIAM HENRY (1825—1891)
- SMITH, WILLIAM ROBERTSON (1846-'894)
smith; but he manifested so much skill and See also:taste in designing that he was placed under the superintendence of two Florentine artists, who instructed him in See also:painting. After devoting three years to that See also:art, he went to See also:Venice and studied See also:engraving. He made very rapid progress, and executed some See also:works of considerable importance at Venice.. He then removed' for a See also:short See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time to See also:Rome, where he completed a set of engravings representing events from the See also:life of St Nilus, and, after returning to Venice, set out for See also:London in 1764. For nearly See also:forty years he resided in London, and produced an enormous number of engravings, the best being those of Clytie, after Annibale See also:Caracci, and of the Virgin and See also:Child, after Carlo See also:Dolce. A See also:great proportion of them are from the works of See also:Cipriani and See also:Angelica See also:Kauffmann. Bartolozzi also contributed a number of plates to See also:Boydell's See also:Shakespeare See also:Gallery. In 1802 he was invited to See also:Lisbon as director of the See also:National See also:Academy. He remained in See also:Portugal till his See also:death. His son Gaetano Stephano (1757–1821), also an engraver, was the father of Madame See also:Vestris.
End of Article: BARTOLOZZI, FRANCESCO (1725-1815)
Additional information and Comments
There are no comments yet for this article.
Please link directly to this article:
Highlight the code below, right click, and select "copy." Then paste it into your website, email, or other HTML.
Site content, images, and layout Copyright © 2006 - Net Industries, worldwide.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are always encouraged.
|
del.icio.us it!