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See also:SARGENT, See also:JOHN See also:SINGER (1856– ) , See also:American artist, son of a distinguished See also:Boston physician, was See also:born at See also:Florence, See also:Italy, on the 12th of See also:January 1856. He was educated in Italy and See also:Germany, and in 1874 entered the atelier of Carolus-See also:Duran in See also:Paris. He received an " See also:honourable mention " in the See also:Salon of 1878 for his " En route pour la peche," and in 1881 a second class See also:medal for his " Portrait of a See also:Young See also:Lady " (made famous by See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
Henry See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
James's appreciation). In 1886 his "See also:Carnation, See also:Lily, Lily, See also:Rose," exhibited at the Royal See also:Academy, was bought for the See also:Chantrey See also:Bequest. He rapidly became known in See also:London as a brilliant portrait painter, and See also:year by year his Academy portraits were the leading features of its exhibitions. Though of the See also:French school, and American by See also:birth, it is as a See also:British artist that he won fame by his See also:vogue as the most sought-after portrait painter of the See also:day, his sitters including the men and See also:women of greatest distinction in the See also:literary, See also:artistic and social See also:life of See also:Europe and See also:America. While best known, and consequently busily employed, as a portrait painter, he had at the same See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time a disposition towards other, and especially decorative See also:work; his paintings of See also:Brittany, See also:Venice and Eastern scenes are less known, but his labour of love, the ornate decorations for the Boston public library (completed in 1903), " The See also:Pageant of See also:Religion," shows the other See also:side of his See also:genius. Among his pictures in public galleries not already mentioned are " El Jaleo " (exhibited 1882), in the Boston See also:Art Museum; " La Carmencita," in the Luxembourg; " See also:Coventry See also:Patmore," in the See also:National Portrait See also:Gallery, London; and " Henry See also:Marquand " (1887), in the See also:Metropolitan Museum, New See also:York. He was elected an A.R.A. in 1894, and R.A. in 1897; he was the recipient of various medals of See also:honour, and was made a member of the See also:chief artistic See also:societies of Europe and America.
1 Adapted as an See also:opera for the See also:music of See also:Puccini (See also:Rome, 14th See also:Jan.
1900).
End of Article: SARGENT, JOHN SINGER (1856– )
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