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COLONNA, VITTORIA (1490-1547)

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Originally appearing in Volume V06, Page 715 of the 1911 Encyclopedia Britannica.
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See also:

COLONNA, See also:VITTORIA (1490-1547) , marchioness of See also:Pescara, See also:Italian poet, daughter of Fabrizio Colonna, See also:grand See also:constable of the See also:kingdom of See also:Naples, and of See also:Anna da Montefeltro, was See also:born at See also:Marino, a See also:fief of the Colonna See also:family. Betrothed when four years old at the instance of See also:Ferdinand, See also:king of Naples, to Ferrante de Avalos, son of the See also:marquis of Pescara, she received the highest See also:education and gave See also:early See also:proof of a love of letters. Her See also:hand was sought by many suitors, including the See also:dukes of See also:Savoy and See also:Braganza, but at nineteen, by her own ardent See also:desire, she was married to de Avalos on the See also:island of See also:Ischia. There the couple resided until 1511, when her See also:husband offered his See also:sword to the See also:League against the See also:French. He was taken prisoner at the See also:battle of See also:Ravenna (1512) and conveyed to See also:France. During the months of detention and the See also:long years of campaigning which followed, Vittoria and Ferrante corresponded in the most passionate terms both in See also:prose and See also:verse. They saw each other but seldom, for Ferrante was one of the most active and brilliant captains of See also:Charles V.; but Vittoria's See also:influence was sufficient to keep him from joining the projected league against the See also:emperor after the battle of See also:Pavia (1525), and to make him refuse the See also:crown of Naples offered to him as the See also:price of his See also:treason. In the See also:month of See also:November of the same See also:year he died of his wounds at See also:Milan. Vittoria, who was hastening to tend him, received the See also:news of his See also:death at See also:Viterbo; she halted and turned off to See also:Rome, and after a brief stay departed for Ischia, where she remained for several years. She refused several suitors, and began to produce those Rime spirituali which See also:form so distinct a feature in her See also:works. In 1529 she returned to Rome, and spent the next few years between that See also:city, See also:Orvieto, Ischia and other places. In 1537 we find her at See also:Ferrara, where she made many See also:friends and helped to establish a Capuchin monastery at the instance of the reforming See also:monk Bernardino See also:Ochino, who after-wards became a See also:Protestant.

In 1539 she was back in Rome, where, besides winning the esteem of Cardinals Reginald See also:

Pole and See also:Contarini, she became the See also:object of a passionate friendship on the See also:part of See also:Michelangelo, then in his sixty-See also:fourth year. The See also:great artist addressed some of his finest sonnets to her, made drawings for her, and spent long See also:hours in her society. Her removal to Orvieto and Viterbo in 1541, on the occasion of her See also:brother Ascanio Colonna's revolt against See also:Paul III., produced no See also:change in their relations, and they continued to visit and correspond as before. She returned to Rome in 1544, staying as usual at the See also:convent of See also:San Silvestro, and died there on the 25th of See also:February 1547. See also:Cardinal See also:Bembo, See also:Luigi See also:Alamanni and Baldassare See also:Castiglione were among her See also:literary friends. She was also on intimate terms with many of the Italian Protestants, such as Pietro See also:Carnesecchi, Juan de See also:Valdes and Ochino, but she died before the See also:church crisis in See also:Italy became acute, and, although she was an See also:advocate of religious reform, there is no See also:reason to believe that she herself became a Protestant. Her See also:life was a beautiful one, and goes far to counteract the impression of the universal corruption of the Italian See also:Renaissance conveyed by such careers as those of the See also:Borgia. Her amatory and elegiac poems, which are the fruits of a sympathetic and dainty imitative See also:gift rather than of any strong See also:original See also:talent, were printed at See also:Parma in 1538; a third edition, containing sixteen of her Rime Spirituali, in which religious themes are treated in Italian, was published at See also:Florence soon afterwards; and a fourth, including a still larger proportion of the pious See also:element, was issued at See also:Venice in 1544. A great See also:deal has been written about Vittoria Colonna, but perhaps the best See also:account of her life is A. Luzio's Vittoria Colonna (See also:Modena, 1885) ; A. von See also:Reumont's Vita di Vittoria Colonna (Italian corrected edit., See also:Turin, 1883) is also excellent; F. le Fevre's Vittoria Colonna (See also:Paris, 1856) is somewhat inaccurate, but T. See also:Roscoe's Vittoria Colonna (See also:London, 1868) may be recommended to See also:English readers; P. E.

See also:

Visconti's Le Rime di Vittoria Colonna (Rome, 1846) deals with her poems. (L.

End of Article: COLONNA, VITTORIA (1490-1547)

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