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HUGHES, JOHN (1677-1720)

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Originally appearing in Volume V13, Page 860 of the 1911 Encyclopedia Britannica.
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HUGHES, See also:JOHN (1677-1720) , See also:English poet and See also:miscellaneous writer, was See also:born at See also:Marlborough, See also:Wiltshire, on the 29th of See also:January 1677. His See also:father was a clerk in a See also:city See also:office, and his grandfather was ejected from the living of Marlborough in 1662 for his See also:Nonconformist opinions. Hughes was educated at a dissenting See also:academy in See also:London, where See also:Isaac See also:Watts was among his See also:fellow scholars. He became a clerk in the See also:Ordnance Office, and served on several commissions for the See also:purchase of See also:land for the royal See also:dockyards. In 1717 See also:Lord See also:Chancellor See also:Cowper made him secretary to the commissions of the See also:peace in the See also:court of See also:chancery. He died on the See also:night of the See also:production of his most celebrated See also:work, The See also:Siege of See also:Damascus, the 17th of See also:February 1720. His poems include occasional pieces in See also:honour of See also:William III., imitations of See also:Horace, and a See also:translation of the tenth See also:book of the Pharsalia of See also:Lucan. He was an See also:amateur of the See also:violin, and played in the concerts of See also:Thomas See also:Britton, the " musical small-See also:coal See also:man." He wrote some of the libretti of the cantatas (2 vols., 1712) set to See also:music by Dr John See also:Christopher See also:Pepusch. To these he prefixed an See also:essay advocating the claims of English libretti, and insisting on the value of recitative. Others of his pieces were set to music by Ernest Galliard and by See also:Handel. In the masque of See also:Apollo and See also:Daphne (1716) he was associated with Pepusch, and in his See also:opera of See also:Calypso and See also:Telemachus (1712) with John E. Galliard.

He was a contributor to the Taller, the Spectator and the See also:

Guardian, and he collaborated with See also:Sir See also:Richard See also:Blackmore in a See also:series of essays entitled The See also:Lay Monastery (1713-1714). He persuaded See also:Joseph See also:Addison to See also:stage See also:Cato. Addison had requested Hughes to write the last See also:act, but eventually completed the See also:play himself. He wrote a version of the Letters of See also:Abelard and Heloise . . . (1714) chiefly from the See also:French translation printed at the See also:Hague in 1693, which went through several See also:editions, and is notable as the basis of See also:Pope's " Eloisa to Abelard " (1717). He also made See also:translations from Nloliere, See also:Fontenelle and the See also:Abbe Vertot, and in 1715 edited The See also:Works of See also:Edmund See also:Spenser . . . (another edition, 1750). His last work, the tragedy of The Siege of Damascus, is his best. It remained on the See also:list of acting plays for a See also:long See also:time, and is to be found in various collected editions of See also:British See also:drama. His Poems on Several Occasions, with some Select Essays in See also:Prose were edited with a memoir in 1735, by William Duncombe, who had married his See also:sister See also:Elizabeth.

See also Letters by several eminent persons (2 vols., 1772) and The See also:

Correspondence of John Hughes, Esq. . and Several of his See also:Friends . (2 vols., 1773), with some additional poems. There is a lohg and eulogistic See also:account of Hughes, with some letters, in the Biographia Britannica.

End of Article: HUGHES, JOHN (1677-1720)

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