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See also:LAWES, See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
HENRY (1595-1662) , See also:English musician, was See also:born at Dinton in See also:Wiltshire in See also:December 1595, and received his musical See also:education from See also:John See also:- COOPER
- COOPER (or COUPER), THOMAS (c. 1517-1594)
- COOPER, ABRAHAM (1787—1868)
- COOPER, ALEXANDER (d. i66o)
- COOPER, CHARLES HENRY (18o8-1866)
- COOPER, JAMES FENIMORE (1789-1851)
- COOPER, PETER (1791-1883)
- COOPER, SAMUEL (1609-1672)
- COOPER, SIR ASTLEY PASTON (1768-1841)
- COOPER, THOMAS (1759–1840)
- COOPER, THOMAS (1805–1892)
- COOPER, THOMAS SIDNEY (1803–1902)
Cooper, better known under his See also:Italian See also:pseudonym Giovanni Coperario (d. 1627), a famous composer of the See also:day. In 1626 he was received as one of the gentlemen of the See also:chapel royal, which See also:place he held till the See also:Commonwealth put a stop to See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church See also:music. But even during that songless See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time Lawes continued his See also:work as a composer, and the famous collection of his vocal pieces, A yres and Dialogues for One, Two and Three Voyces, was published in 1653, being followed by two other books under the same See also:title in 1655 and 1658 respectively. When in 166o the See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king returned, Lawes once more entered the royal chapel, and composed an See also:anthem for the See also:coronation of See also:Charles II. He died on the 21st of See also:October 1662, and was buried in See also:Westminster See also:Abbey. Lawes's name has become known beyond musical circles by his friendship with See also:Milton, whose See also:Comus he supplied with incidental music for the performance of the masque in 1634. The poet in return immortalized his friend in the famous See also:sonnet in which Milton, with a musical See also:perception not See also:common amongst poets, exactly indicates the See also:great merit of Lawes. His careful See also:attention to the words of the poet, the manner in which his music seems to grow from those words, the perfect coincidence of the musical with the metrical See also:accent, all put Lawes's songs on a level with those of See also:Schumann or See also:Liszt or any See also:modern composer. At the same time he is by no means wanting in genuine melodic invention, and his concerted music shows the learned contrapuntist.
End of Article: LAWES, HENRY (1595-1662)
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