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See also:COLUMN (See also:Lat. columna) , in See also:architecture, a See also:vertical support consisting of See also:capital, See also:shaft and See also:base, used to carry a See also:horizontal See also:beam or an See also:arch. The earliest example in See also:wood (2684 B.C.) was that found at Kahun in See also:Egypt by See also:Professor See also:Flinders See also:Petrie, which was fluted and stood on a raised base, and in See also: There was no base to the Doric column, but the shafts were fluted, 20 flutes being the usual number. In the Archaic Temple of See also:Diana at See also:Ephesus there were 52 flutes. In the later examples of the Ionic order the shaft had 24 flutes. In the See also:Roman temples the shafts were very often monoliths. Columns were occasionally used as supports for figures or other features. The Naxian column at See also:Delphi of the Ionic order carried a See also:sphinx. The See also:Romans employed columns in various ways: the See also:Trajan and the Antonine columns carried figures of the two emperors; the columna rostrata (26o B.C.) in the See also:Forum was decorated with the beaks of See also:ships and was a votive column, the miliaria column marked the centre of See also:Rome from which all distances were measured. In the same way the column in the See also:Place See also:Vendome in See also:Paris carries a statue of See also:Napoleon I.; the See also:monument of the See also:Fire of See also:London, a See also:finial with flames sculptured on it; the See also:duke of See also:York's column (London), a statue of the duke of York. With the exception of the Cretan and Mycenaean, all the shafts of the classic orders tapered from the bottom upwards, and about one-third up the column had an increment,, known as the See also:entasis, to correct an See also:optical illusion which makes tapering shafts look See also:concave; the proportions of See also:diameter to height varied with the order employed. Thus, broadly speaking, a Roman Doric column will be eight, a Roman Ionic nine, a Corinthian ' The See also:tree-See also:trunk used as a column was inverted to retain the See also:sap; hence the shape. • ten diameters in height. Except in rare cases, the columns of the Romanesque and See also:Gothic styles were of equal diameter at See also:top and bottom, and had no definite dimensions as regards diameter and height. They were also grouped together See also:round piers which are known as clustered piers. When of exceptional See also:size, as in See also:Gloucester and See also:Durham cathedrals, See also:Waltham See also:Abbey and See also:Tewkesbury, they are generally called " pillars," which was apparently the See also:medieval See also:term for column. The word columna, employed by See also:Vitruvius, was introduced into See also:England by the See also:Italian writers of the Revival.
In the See also:Renaissance See also:period columns were frequently banded, the bands being concentric with the column as in See also:France, and occasionally richly carved as in Philibert De L'See also:Orme's See also:work at the Tuileries. In England Inigo See also: Additional information and CommentsThere are no comments yet for this article.
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