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WESTMACOTT, SIR RICHARD (1775-1856)

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Originally appearing in Volume V28, Page 548 of the 1911 Encyclopedia Britannica.
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WESTMACOTT, See also:SIR See also:RICHARD (1775-1856) , See also:British sculptor, was See also:born in See also:London, and while yet a boy learned the rudiments of the plastic See also:art in the studio of his See also:father, who was then a sculptor of some reputation. In 1793, at the See also:age of eighteen, he went to See also:Rome and became a See also:pupil of See also:Canova, then at the height of his fame. Under the prevailing influences of See also:Italy at that See also:time, Westmacott devoted all his energies to the study of classical See also:sculpture, and throughout his See also:life his real sympathies were with See also:pagan rather than with See also:Christian art. Within a See also:year of his arrival in Rome he won the first See also:prize for sculpture offered by the Florentine See also:academy of arts, and in the following year (1795) he gained the papal See also:gold See also:medal awarded by the See also:Roman Academy of St See also:Luke with his bas-See also:relief of See also:Joseph and his brethren. In 1798, on the 20th of See also:February, he married Dorothy See also:Margaret, daughter of Dr See also:Wilkinson of See also:Jamaica. On his return to London Westmacott began to exhibit his See also:works yearly at the Royal Academy, the first See also:work so exhibited being See also:Commission also made recommendations for the reduction of the high See also:cable rates between the See also:West Indies and the See also:United his bust of Sir See also:William See also:Chambers. In 18o5 he was elected an See also:associate, and in 1811 a full member of the Royal Academy, his diploma work being a " See also:Ganymede " in high relief; in 1827 he was appointed to succeed See also:Flaxman as Royal Academy See also:professor of sculpture, and in 1837 he was knighted. A very large number of important public monuments were executed by him, including many portrait statues; but little can be said in praise of such works as the statue on the See also:duke of See also:York's See also:column (1833), the portrait of See also:Fox in Bloomsbury Square, or that of the duke of See also:Bedford in See also:Russell Square. Much admiration was expressed at the time for Westmacott's monuments to See also:Collingwood and Sir See also:Ralph See also:Abercromby in St See also:Paul's See also:Cathedral, and that of Mrs See also:Warren in See also:Westminster See also:Abbey; but subjects like these were far less congenial to him than sculpture of a more classical type, such as the pedimental figures representing the progress of See also:civilization over the See also:portico of the British Museum, completed in 1847, and his See also:colossal nude statue of See also:Achilles in See also:bronze, copied from the See also:original on See also:Monte See also:Cavallo in Rome, and reared in 1822 by the ladies of See also:England in See also:Hyde See also:Park as a compliment to the duke of See also:Wellington. He died on the 1st of See also:September 1856.

End of Article: WESTMACOTT, SIR RICHARD (1775-1856)

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