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FECHTER, CHARLES ALBERT (1824–1879)

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Originally appearing in Volume V10, Page 232 of the 1911 Encyclopedia Britannica.
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FECHTER, See also:CHARLES See also:ALBERT (1824–1879) , Anglo-See also:French actor, was See also:born, probably in See also:London, on the 23rd of See also:October 1824, of French parents, although his See also:mother was of Piedmontese and his See also:father of See also:German extraction. The boy would probablyhave devoted himself to a sculptor's See also:life but for the See also:accident of a striking success made in some private theatricals. The result was an engagement in 1841 to See also:play in a travelling See also:company that was going to See also:Italy. The tour was a failure, and the company See also:broke up; whereupon Fechter returned See also:home and worked assiduously at See also:sculpture. At the same See also:time he attended classes at the See also:Conservatoire with the view of gaining See also:admission to the Comedic Francaise. See also:Late in 1844 he won the See also:grand See also:medal of the Academie See also:des See also:Beaux-Arts with a piece of sculpture, and was admitted to make his debut at the Comedie Francaise as Seide in See also:Voltaire's See also:Mahomet and Valere in See also:Moliere's Tartuffe. He acquitted himself with See also:credit; but, tired of the small parts he found himself condemned to play, returned again to his sculptor's studio in 1846. In that See also:year he accepted an engagement to play with a French company in See also:Berlin, where he made his first decisive success as an actor. On his return to See also:Paris in the following year he married the actress Eleonore Rabut (d. 1895). Previously he had appeared for some months in London, in a See also:season of French classical plays given at the St See also:James's See also:theatre. In Paris for the next ten years he fulfilled a See also:series of successful engagements at various theatres, his See also:chief See also:triumph being his creation at the See also:Vaudeville on the 2nd of See also:February 1852 of the See also:part of Armand See also:Duval in La See also:Dame aux camelias.

For nearly two years (1857–1858) Fechter was manager of the Odeon, where he produced Tartuffe and other classical plays. Having received tempting offers to See also:

act in See also:English at the Princess's theatre, London, he made a diligent study of the See also:language, and appeared there on the 27th of October 186o in an English version of See also:Victor See also:Hugo's Ruy Blas. This was followed by The Corsican See also:Brothers and See also:Don Cesar de Bazan; and on the loth of See also:March 1861 he first attempted See also:Hamlet. The result was an extraordinary triumph, the play See also:running for 115 nights. This was followed by Othello, in which he played alternately the See also:Moor and lago. In 1863 he became lessee of the See also:Lyceum theatre, which he opened with The See also:Duke's See also:Motto; this was followed by The See also:King's Butterfly, The See also:Mountebank (in which his son See also:Paul, a boy of seven, appeared), The Roadside See also:Inn, The See also:Master of Ravenswood, The Corsican Brothers (in the See also:original French version, in which he had created the parts of See also:Louis and See also:Fabian dei Franchi) and The See also:Lady of See also:Lyons. After this he appeared at the Adelphi (1868) as Obenreizer in No Thoroughfare, by Charles See also:Dickens and See also:Wilkie See also:Collins, as Edmond Dantes in See also:Monte Cristo, and as See also:Count de Leyrac in See also:Black and See also:White, a play in which the actor himself collaborated with Wilkie Collins. In 1870 he visited the See also:United States, where (with the exception of a visit to London in 1872) he remained till his See also:death. His first See also:appearance in New See also:York was at Niblo's See also:Garden in the See also:title role of Ruy Blas. He played in the United States between 187o and 1876 in most of the parts in which he had won his chief triumphs in See also:England, making at various times attempts at management, rarely successful, owing to his ungovernable See also:temper. The last three years of his life were spent in seclusion on a See also:farm which he had bought at See also:Rockland Centre, near Quakertown, See also:Pennsylvania, where he died on the 5th of See also:August 1879. A bust of the actor by himself is in the See also:Garrick See also:Club, London.

End of Article: FECHTER, CHARLES ALBERT (1824–1879)

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