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See also:BRANGWYN, See also:FRANK (1867– ) , See also:English painter, was See also:born at See also:Bruges, and received his first instruction from his See also:father, the owner of an See also:establishment for See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church embroideries and kindred See also:objects, who took a leading See also:part in the See also:Gothic revival under See also:Pugin. When the See also:family moved to See also:England, Brangwyn attracted the See also:attention of See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William See also:Morris by a See also:drawing on which he was engaged at See also:South See also:Kensington museum. He worked for some See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time in Morris's studio, and then travelled more than once to the See also:East, whereby his sense of See also:colour and the whole further development of his See also:art became deeply influenced. Indeed, the impressions he then received, and his love of See also:Oriental decorative art—tiles and carpets—exercised a greater See also:influence on him than any See also:early training or the See also:works of any See also:European See also:master. His whole tendency is essentially decorative: a colour-sense of sumptuous richness is wedded to an equally strong sense of well-balanced, harmonious See also:design. These qualities, together with a See also:summary suppression of the details which tie a subject to time and See also:place, give his compositions a nobly impressive and universal See also:character, such as may be seen in his decorative See also:panel " See also:Modern See also:Commerce " in the See also:ambulatory of the Royal See also:Exchange, See also:London. Among other decorative schemes executed by him are those for "L'Art nouveau" in the See also:rue de See also:Provence, See also:Paris; for the See also:- HALL
- HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
- HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
- HALL, BASIL (1788-1844)
- HALL, CARL CHRISTIAN (1812–1888)
- HALL, CHARLES FRANCIS (1821-1871)
- HALL, CHRISTOPHER NEWMAN (1816—19oz)
- HALL, EDWARD (c. 1498-1547)
- HALL, FITZEDWARD (1825-1901)
- HALL, ISAAC HOLLISTER (1837-1896)
- HALL, JAMES (1793–1868)
- HALL, JAMES (1811–1898)
- HALL, JOSEPH (1574-1656)
- HALL, MARSHALL (1790-1857)
- HALL, ROBERT (1764-1831)
- HALL, SAMUEL CARTER (5800-5889)
- HALL, SIR JAMES (1761-1832)
- HALL, WILLIAM EDWARD (1835-1894)
hall of the Skinners' See also:Company, London; and for the See also:British See also:room at the See also:Venice See also:International See also:Exhibition, 1905. The Luxembourg museum has his " See also:Trade on the See also:Beach "; the Venice municipal museum, the " St See also:Simon Stylites "; the See also:Stuttgart See also:gallery, the " St See also:John the Baptist "; the See also:Munich Pinakothek, the " See also:Assisi "; the See also:Carnegie See also:Institute in See also:Pittsburg, his " Sweetmeat Seller "; the See also:Prague gallery, his " See also:Turkish Boatmen "; and the See also:National Gallery of New South See also:Wales, " The Scoffers." Brangwyn embarked successfully in many See also:fields of applied art, and made admirable designs for See also:book decoration, stained See also:glass, See also:furniture, See also:tapestry, See also:- METAL
- METAL (through Fr. from Lat. metallum, mine, quarry, adapted from Gr. µATaXAov, in the same sense, probably connected with ,ueraAAdv, to search after, explore, µeTa, after, aAAos, other)
metal-See also:work and pottery. He devoted himself extensively to See also:etching, and executed many plates of astonishing vigour and dramatic intensity. He was elected See also:associate of the Royal See also:Academy in 1904.
End of Article: BRANGWYN, FRANK (1867– )
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