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MIEREVELT (MIEREVELD, or MIREVELDT), ...

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Originally appearing in Volume V18, Page 425 of the 1911 Encyclopedia Britannica.
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MIEREVELT (MIEREVELD, or MIREVELDT), MICHIEL JANSZ See also:VAN (1567-1641) , Dutch painter, was See also:born at See also:Delft, the son of a See also:goldsmith, who apprenticed him to the copperplate engraver J. Wierix. He subsequently became a See also:pupil of Willem Willemz and Augusteyn of Delft, until Anthonie van Montfoort (Blocklandt), who had seen and admired two of Mierevelt's See also:early engravings, " See also:Christ and the Samaritan " and " See also:Judith and Holofernes," invited him to enter his school at See also:Utrecht. Devoting himself first to still See also:life, he eventually took up See also:portraiture, in which he achieved such success that the many commissions entrusted to him necessitated the employment of numerous assistants, by whom hundreds of portraits were turned out in factory See also:fashion. The See also:works that can with certainty be ascribed to his own See also:brush are remarkable for their sincerity, severe See also:drawing and harmonious See also:colour, but comparatively few of the two thousand or more portraits that See also:bear his name are wholly his own handiwork. He settled down in his native See also:town, but went frequently to The See also:Hague, where he entered the gild of St See also:Luke in 1625. So See also:great was his reputation that he was patronized by See also:royalty in many countries and acquired great See also:wealth. The See also:king of See also:Sweden and the See also:count See also:palatine of See also:Neuburg presented him with See also:golden chains, See also:Arch-See also:duke Albrecht gave him a See also:pension, and See also:Charles I. vainly endeavoured to induce him to visit the See also:English See also:court. Though Mierevelt is chiefly known as a portrait painter, he also executed some mythological pieces of See also:minor importance. Many of his portraits have been reproduced in See also:line by the leading Dutch engravers of his See also:time. He died at Delft on the 27th of See also:June 1641. The Ryks Museum in See also:Amsterdam has the richest collection of Mierevelt's works, See also:chief of them being the portraits of See also:William, See also:Philip William, See also:Maurice, and See also:Frederick See also:Henry of See also:Orange, and of the count palatine Frederick V.

At The Hague Museum are the portraits of four princes of the See also:

house of Orange, of Frederick V., king of Bohemia, and of See also:Louise de See also:Coligny as a widow. Other portraits by him are at nearly all the leading See also:continental galleries, notably at See also:Brunswick (3), See also:Gotha (2), See also:Schwerin (3), See also:Munich (2), See also:Paris (Louvre, 3), See also:Dresden (4), See also:Berlin (2), and See also:Darmstadt (3). The town See also:hall of Delft also has numerous examples of his See also:work. Many of his pupils and assistants See also:rose to fame. The most gifted of them were See also:Paulus Moreelse and See also:Jan van Ravesteyn. His sons Pieter (1596–1623) and Jan (d. 1633), and his son-in-See also:law Willem Jacobz Delff, probably painted many of the pictures which go under his name. His portrait was painted by Van Dyck and engraved by Delff.

End of Article: MIEREVELT (MIEREVELD, or MIREVELDT), MICHIEL JANSZ VAN (1567-1641)

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