See also: COERCION, See also:CONTRACT .
D'URFEY, See also:- THOMAS
- THOMAS (c. 1654-1720)
- THOMAS (d. 110o)
- THOMAS, ARTHUR GORING (1850-1892)
- THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
- THOMAS, GEORGE (c. 1756-1802)
- THOMAS, GEORGE HENRY (1816-187o)
- THOMAS, ISAIAH (1749-1831)
- THOMAS, PIERRE (1634-1698)
- THOMAS, SIDNEY GILCHRIST (1850-1885)
- THOMAS, ST
- THOMAS, THEODORE (1835-1905)
- THOMAS, WILLIAM (d. 1554)
THOMAS (1653–1723), better known as Tom d'Urfey, See also:English See also:song-writer and dramatist, belonged to a Huguenot See also:family settled at See also:Exeter, where he was See also:born in 1653. Honore d'See also:Urfe, the author of Astree, was his See also:uncle. His first See also:play, The See also:Siege of See also:Memphis, or the Ambitious See also:Queen, a bombastic rhymed tragedy, was produced at .the See also:Theatre Royal in 1676. He was much more successful with his comedies, which had brisk, complicated plots carried out in lively See also:dialogue. He had a See also:light See also:touch for fitting words on current topics to popular airs; moreover, many of his songs were set to See also:music by his See also:friends Dr See also:John See also:Blow, See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
Henry See also:Purcell and Thomas See also:Farmer. Many of these songs were introduced into his plays. See also:Addison in the See also:Guardian (No. 67) relates that he remembered to have seen See also:Charles IT. leaning on Tom d'Urfey's See also:shoulder and humming a song with him. Even See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William III. liked to hear him sing his songs, and as a strong Tory he was sure of the favour of Princess See also:Anne, who is said to have given Tom fifty guineas for a song on the Electress See also:Sophia, the next See also:heir in See also:succession to the See also:crown. " The crown's far too weighty, for shoulders of eighty," said d'Urfey, with an indirect compliment to the princess, " So See also:Providence kept her away,—poor old See also:Dowager Sophy." See also:Pope, in an amusing See also:letter to Henry See also:Cromwell (See also:Works, ed. Elwin and See also:Courthope, vi. 91) describes him as " the only poet of tolerable reputation in this See also: country." In spite of the success of his numerous comedies he was poor in his old See also:age. But his gaiety and invincible See also:good See also:humour had made him friends in the See also:craft, and by the See also:influence of Addison his Fond See also:Husband, or The Plotting Sisters was revived for d'Urfey's benefit at See also:Drury See also:Lane on the 15th of See also:June 1713. This performance, for which Pope wrote a See also:prologue full of rather faint praise, seems to have eased the
poet's difficulties. He died on the 26th of See also:February 1723, and was buried in St See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
James's See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
Church, Piccadilly.
Collections of his songs with the music appeared during his See also:life-See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time, the most See also:complete being the 1719–1720 edition (6 vols.) of Wit and Mirth; or Pills to Purge See also:Melancholy. The best known of the twenty-nine pieces of his which actually found their way to the See also:stage were Love for See also:Money; or The Boarding School (Theatre Royal, 1691), The See also:Marriage-Hater Match'd (1692), and The Comical See also:History of See also:Don Quixote, in three parts (1694, 1694 and 1696), which earned the especial censure of See also:Jeremy See also:Collier. In his See also:burlesque See also:opera, Wonders in the See also:Sun; or the See also:Kingdom of the Birds (1706, music by G. B. Draghi), the actors were dressed as parrots, crows, &c.
End of Article: COERCION, CONTRACT
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