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COERCION, CONTRACT

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Originally appearing in Volume V08, Page 704 of the 1911 Encyclopedia Britannica.
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COERCION, See also:CONTRACT . D'URFEY, See also:THOMAS (1653–1723), better known as Tom d'Urfey, See also:English See also:song-writer and dramatist, belonged to a Huguenot See also:family settled at See also:Exeter, where he was See also:born in 1653. Honore d'See also:Urfe, the author of Astree, was his See also:uncle. His first See also:play, The See also:Siege of See also:Memphis, or the Ambitious See also:Queen, a bombastic rhymed tragedy, was produced at .the See also:Theatre Royal in 1676. He was much more successful with his comedies, which had brisk, complicated plots carried out in lively See also:dialogue. He had a See also:light See also:touch for fitting words on current topics to popular airs; moreover, many of his songs were set to See also:music by his See also:friends Dr See also:John See also:Blow, See also:Henry See also:Purcell and Thomas See also:Farmer. Many of these songs were introduced into his plays. See also:Addison in the See also:Guardian (No. 67) relates that he remembered to have seen See also:Charles IT. leaning on Tom d'Urfey's See also:shoulder and humming a song with him. Even See also:William III. liked to hear him sing his songs, and as a strong Tory he was sure of the favour of Princess See also:Anne, who is said to have given Tom fifty guineas for a song on the Electress See also:Sophia, the next See also:heir in See also:succession to the See also:crown. " The crown's far too weighty, for shoulders of eighty," said d'Urfey, with an indirect compliment to the princess, " So See also:Providence kept her away,—poor old See also:Dowager Sophy." See also:Pope, in an amusing See also:letter to Henry See also:Cromwell (See also:Works, ed. Elwin and See also:Courthope, vi.

91) describes him as " the only poet of tolerable reputation in this See also:

country." In spite of the success of his numerous comedies he was poor in his old See also:age. But his gaiety and invincible See also:good See also:humour had made him friends in the See also:craft, and by the See also:influence of Addison his Fond See also:Husband, or The Plotting Sisters was revived for d'Urfey's benefit at See also:Drury See also:Lane on the 15th of See also:June 1713. This performance, for which Pope wrote a See also:prologue full of rather faint praise, seems to have eased the poet's difficulties. He died on the 26th of See also:February 1723, and was buried in St See also:James's See also:Church, Piccadilly. Collections of his songs with the music appeared during his See also:life-See also:time, the most See also:complete being the 1719–1720 edition (6 vols.) of Wit and Mirth; or Pills to Purge See also:Melancholy. The best known of the twenty-nine pieces of his which actually found their way to the See also:stage were Love for See also:Money; or The Boarding School (Theatre Royal, 1691), The See also:Marriage-Hater Match'd (1692), and The Comical See also:History of See also:Don Quixote, in three parts (1694, 1694 and 1696), which earned the especial censure of See also:Jeremy See also:Collier. In his See also:burlesque See also:opera, Wonders in the See also:Sun; or the See also:Kingdom of the Birds (1706, music by G. B. Draghi), the actors were dressed as parrots, crows, &c.

End of Article: COERCION, CONTRACT

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COERCION (from Lat. coercere, to restrain)
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COFFEE (Fr: cafe, Ger. Kaffee)