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See also:BANIM, See also: One of the most powerful of them, Crohoore of the See also:Bill See also:Hook, was by Michael Banim. In 1826 a second series was published, containing that excellent Irish novel, The Nowlans. John's health had given way, and the next effort of the " O'Hara family " was almost entirely the See also:production of his brother Michael. The Croppy, a See also:Tale of 7798 (1828) is hardly equal to the earlier tales, though it contains some wonderfully vigorous passages. The Denounced, The See also:Mayor of Windgap, The See also:Ghost See also:Hunter (by Michael Banim), and The Smuggler followed in See also:quick See also:succession, and were received with considerable favour. John Banim, meanwhile, had become much straitened in circumstances. In 1829 he went to See also:France, and while he was abroad a See also:movement to relieve his wants was set on See also:foot by the See also:English See also:press, headed by John See also:Sterling in The Times. A sufficient sum was obtained to remove him from any danger of actual want, and to this See also:government added in 1836 a See also:pension of £150. He returned to Ireland in 1835i and settled in Windgap Cottage, a short distance from Kilkenny; and there, a See also:complete invalid, he passed the See also:remainder of his life, dying on the 13th of See also:August 1842. Michael Banim had acquired a considerable See also:fortune which he lost in 184o through the See also:bankruptcy of a See also:firm with which he had business relations. After this disaster he wrote See also:Father Connell (1842), See also:Clough Fionn (1852), The See also:Town of the Cascades (1862). Michael Banim died at Booterstown on the 3oth of August 1874. The true See also:place of the Banims in literature is to be estimated from the merits of the O'Hara Tales; their later See also:works, though of considerable ability, are sometimes prolix and are marked by too evident an See also:imitation of the Waverley Novels, The Tales, how-ever, are masterpieces of faithful delineation. The strong passions, the See also:lights and shadows of Irish See also:peasant See also:character, have rarely been so ably and truly depicted. The incidents are striking, sometimes even horrible, and the authors have been accused of straining after melodramatic effect. The lighter, more joyous See also:side of Irish character, which appears so strongly in See also:Samuel See also:Lover, receives little See also:attention from the Banims.
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