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See also:EISTEDDFOD (plural Eisteddfodau) , the See also:national bardic See also:congress of See also:Wales, the See also:objects of which are to encourage bardism and See also:music and the See also:general literature of the Welsh, to maintain the Welsh See also:language and customs of the See also:country, and to See also:foster and cultivate a patriotic spirit amongst the See also:people. This institution, so See also:peculiar to Wales, is of very See also:ancient origin.' The See also:term Eisteddfod, however, which means " a session " or " sitting," was probably not applied to bardic congresses before the 12th See also:century.
The Eisteddfod in its See also:present See also:character appears to have originated in the See also:time of Owain ap Maxen Wledig, who at the See also:close of the 4th century was elected to the See also:chief See also:sovereignty of the Britons on the departure of the See also:Romans. It was at this time, or soon afterwards, that the See also:laws and usages of the Gorsedd were codified and remodelled, and its See also:motto of " Y gwir yn erbyn y byd " (The truth against the See also:world) given to it. " Chairs " (with which the Eisteddfod as a national institution is now inseparably connected) were also established, or rather perhaps resuscitated, about the same time. The See also:chair was a See also:kind of See also:convention where disciples were trained, and bardic matters discussed preparatory to the See also:great Gorsedd, each chair having a distinctive motto. There are now existing four chairs in Wales,—namely, the " royal " chair of Powys, whose motto is " A laddo a ]eddir " (He that slayeth shall be slain) ; that of Gwent and Glamorgan, whose motto is " Duw a phob daioni " (See also:God and all goodness); that of Dyfed, whose motto is " Calon wrth galon " (See also:Heart with heart); and that of Gwynedd, or See also:North Wales, 'whose motto is " Iesu," or " O lesu! na'd gamwaith " (Jesus, or Oh Jesus! suffer not iniquity).
The first Eisteddfod of which any See also:account seems to have descended to us was one held on the See also:banks of the See also:Conway in the 6th century, under the auspices of Maelgwn Gwynedd, See also:prince of North Wales. Maelgwn on this occasion, in See also:order to prove the superiority of vocal See also:song over instrumental music, is recorded to have offered a See also:reward to such bards and minstrels as should swim over the Conway. There were several competitors, but on their arrival on the opposite See also:shore the harpers found themselves unable to See also:play owing to the injury their harps had sustained from the See also:water, while the bards were in as See also:good tune as ever. See also: During his See also:long reign of 56 years he offered great encouragement to bards, harpers and minstrels, and framed a See also:code of laws for their better regulation. He held an Eisteddfod about the beginning of the 12th century at Caerwys in Flintshire, " to which there repaired all the musicians of Wales, and some also from See also:England and See also:Scotland." For many years afterwards the Eisteddfod appears to have been held triennially, and to have enforced the rigid observance of the enactments of Griffith ap Cynan. The places at which it was generally held were Aherffraw, formerly the royal seat of the princes of North Wales; Dynevor, the royal See also:castle of the princes of See also:South Wales; and Mathrafal, the royal See also:palace of the princes of Powys; and in later times
1 According to the Welsh Triads and other See also:historical records, the Gorsedd or See also:assembly (an essential See also:part of the See also:modern Eisteddfod, from which indeed the latter sprung) is as old at least as the time of Prydain the son of A dd the Great, who lived many centuries before the See also:Christian era. Upon the destruction of the See also:political ascendancy of the See also:Druids, the Gorsedd lost its political importance, though it seems to have long afterwards retained its institutional character as the See also:medium for preserving the laws, doctrines and traditions of bardism.
Caerwys in Flintshire received that See also:honourable distinction, it having been the princely See also:residence of See also:Llewelyn the Last. Some of these Eisteddfodau were conducted in a See also:style of great magnificence, under the patronage of the native princes. At See also:Christmas 1 107 Cadwgan, the son of Bleddyn ap Cynfyn, prince of Powys, held an Eisteddfod in See also:Cardigan Castle, to which he invited the bards, harpers and minstrels, " the best to be found in all Wales "; and " he gave them chairs and subjects of emulation according to the See also:custom of the feasts of King See also:Arthur." In 1176 Rhys ab Gruffydd, prince of South Wales, held an Eisteddfod in the same castle on a See also:scale of still greater magnificence, it having been proclaimed, we are told, a See also:year before it took See also:place, " over Wales, England, Scotland, Ireland and many other countries."
On the See also:annexation of Wales to England, See also:Edward I. deemed it politic to See also:sanction the bardic Eisteddfod by his famous See also:statute of Rhuddlan. In the reign of Edward III. Ifor Hael, a South Wales chieftain, held one at his See also:mansion. Another was held in 1451, with the permission of the king, by Griffith ab See also:Nicholas at See also:Carmarthen, in princely style, where Dafydd ab See also:Edmund, an eminent poet, signalized himself by his wonderful See also:powers of versification in the Welsh metres, and whence " he carried See also:home on his shoulders the See also:silver chair " which he had fairly won. Several Eisteddfodau, were held, one at least by royal See also:mandate, in the reign of See also: In the course of time, through relaxation of bardic discipline, the profession was assumed by unqualified persons, to the great detriment of the See also:regular bards. Accordingly in 1567 See also:Queen See also: The proceedings commence with a Gorsedd See also:meeting, opened with See also:sound of See also:trumpet and other ceremonies, at which candidates come forward and receive bardic degrees after satisfying the presiding bard as to their fitness. At the subsequent meetings the president gives a brief address; the bards follow with poetical addresses; adjudications are made, and prizes and medals with suitable devices are given to the successful competitors for poetical, musical and See also:prose compositions, for the best choral and See also:solo singing, and singingwiththe harp or "Pennillion singing "1 as it is called, for the best playing on the harp or stringed or See also:wind See also:instruments, as well as occasionally for the best specimens of handicraft and See also:art. In the evening of each day a See also:concert is given, generally attended by very large See also:numbers. The great day of the Eisteddfod is the " chair " day —usually the third or last day—the See also:grand event of the Eisteddfod being the See also:adjudication on the chair subject, and the chairing and See also:investiture of the fortunate winner. This is the highest See also:object of a Welsh bard's ambition. The ceremony is an imposing one, and is performed with sound of trumpet. (See also the articles BARD, See also:CELT: See also:Celtic Literature, and WALES.) (R. Additional information and CommentsThere are no comments yet for this article.
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