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See also:OLIPHANT, See also:MARGARET OLIPHANT (1828-1897) , See also:British novelist and See also:historical writer, daughter of See also:Francis See also: Unfortunately, her See also:home life was full of sorrow and disappointment. In January 1864 her only daughter died in Rome, and was buried in her father's See also:grave. Her See also:brother, who had emigrated to See also:Canada, was shortly afterwards involved in See also:financial ruin, and Mrs Oliphant offered a home to him and his children, and added their support to her already heavy responsibilities. In 1866 she settled at See also:Windsor to be near her sons who were being educated at See also:Eton. This was her home for the See also:rest of her life, and for more than See also:thirty years she pursued a varied literary career with courage scarcely broken by a See also:series of the gravest troubles. The ambitions she cherished for her sons were unfulfilled. See also:Cyril Francis, the See also:elder, died in 189o, leaving a Life of See also:Alfred de See also:Musset, incorporated in his See also:mother's See also:Foreign See also:Classics for See also:English Readers. The younger, Frank, collaborated with her in the Victorian See also:Age of English Literature and won a position at the British Museum, but was rejected by the doctors. He died in 1894. With the last of her children lost to her, she had but little further See also:interest in life. Her health steadily declined, and she died at See also:Wimbledon, on the 25th of See also:June 1897. In the course of her See also:long struggle with circumstances, Mrs Oliphant produced more than 120 See also:separate See also:works, including novels, books of travel and description, histories and volumes of literary See also:criticism. Among the best known of her works of fiction are See also:Adam Graeme (1852), Magdalen See also:Hepburn (1854), Lilliesleaf (1855), The See also:Laird of Norlaw (1858) and a series of stories with the collective See also:title of The See also:Chronicles of See also:Carlingford, which, originally appearing in Blackwood's Magazine (1862-1865), did much to widen her reputation. This series included See also:Salem See also:Chapel (1863), The See also:Rector; and the See also:Doctor's See also:Family (1863), The Perpetual See also:Curate (1864) and See also:Miss Marjoribanks (1866). Other successful novels were Madonna See also:Mary (1867), See also:Squire See also:Arden (1871), He that will not when he may (188o), Hester (1 883) ,Kirsteen (189o), The See also:Marriage of Elinor (1892) and The Ways of Life (1897). Her tendency to See also:mysticism found expression in The Beleaguered See also:City (188o) and A Little See also:Pilgrim in the Unseen (1882). Her See also:biographies of See also:Edward See also:Irving (1862) and Laurence Oliphant (1892), together with her life of See also:Sheridan in the "English Men of Letters " (1883), have vivacity and a sympathetic See also:touch. She also wrote historical and See also:critical works of considerable variety, including Historical Sketches of the Reign of See also:George II. (1869), The Makers of Florence (1876), A Literary See also:History of England from i790 to 1825 (1882), The Makers of See also:Venice (1887), Royal Edinburgh (189o), See also:Jerusalem (1891) and The Makers of See also:Modern Rome(1895), while at the See also:time of her See also:death she was still occupied upon See also:Annals of a See also:Publishing See also:House, a See also:record of the progress and achievement of the See also:firm of Blackwood, with which she had been so long and honourably connected. Iler Autobiography and Letters, which See also:present a touching picture of her domestic anxieties, appeared in 1899. Additional information and CommentsThere are no comments yet for this article.
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