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See also:BEARDSLEY, See also:AUBREY See also:VINCENT (1872-1898) , See also:English artist in See also:black and See also:- WHITE
- WHITE, ANDREW DICKSON (1832– )
- WHITE, GILBERT (1720–1793)
- WHITE, HENRY KIRKE (1785-1806)
- WHITE, HUGH LAWSON (1773-1840)
- WHITE, JOSEPH BLANCO (1775-1841)
- WHITE, RICHARD GRANT (1822-1885)
- WHITE, ROBERT (1645-1704)
- WHITE, SIR GEORGE STUART (1835– )
- WHITE, SIR THOMAS (1492-1567)
- WHITE, SIR WILLIAM ARTHUR (1824--1891)
- WHITE, SIR WILLIAM HENRY (1845– )
- WHITE, THOMAS (1628-1698)
- WHITE, THOMAS (c. 1550-1624)
white, was See also:born at See also:Brighton on the 24th of See also:August 1872. In 1883 his See also:family settled in See also:London, and in the following See also:year he appeared in public as an " See also:infant musical phenomenon," playing at several concerts with his See also:sister. In 1888 he obtained a See also:post in an architect's See also:- OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")
office, and afterwards one in the See also:Guardian See also:Life and See also:Fire See also:Insurance See also:Company (1889). In 18g1, under the See also:advice of See also:Sir See also:Edward Burne-See also:- JONES
- JONES, ALFRED GILPIN (1824-1906)
- JONES, EBENEZER (182o-186o)
- JONES, ERNEST CHARLES (1819-1869)
- JONES, HENRY (1831-1899)
- JONES, HENRY ARTHUR (1851- )
- JONES, INIGO (1573-1651)
- JONES, JOHN (c. 1800-1882)
- JONES, MICHAEL (d. 1649)
- JONES, OWEN (1741-1814)
- JONES, OWEN (1809-1874)
- JONES, RICHARD (179o-1855)
- JONES, SIR ALFRED LEWIS (1845-1909)
- JONES, SIR WILLIAM (1746-1794)
- JONES, THOMAS RUPERT (1819– )
- JONES, WILLIAM (1726-1800)
Jones and Puvis de Chavannes, he took up See also:art as a profession. In 1892 he attended the classes at the See also:Westminster School of Art, then under See also:Professor See also:- BROWN
- BROWN, CHARLES BROCKDEN (1771-181o)
- BROWN, FORD MADOX (1821-1893)
- BROWN, FRANCIS (1849- )
- BROWN, GEORGE (1818-188o)
- BROWN, HENRY KIRKE (1814-1886)
- BROWN, JACOB (1775–1828)
- BROWN, JOHN (1715–1766)
- BROWN, JOHN (1722-1787)
- BROWN, JOHN (1735–1788)
- BROWN, JOHN (1784–1858)
- BROWN, JOHN (1800-1859)
- BROWN, JOHN (1810—1882)
- BROWN, JOHN GEORGE (1831— )
- BROWN, ROBERT (1773-1858)
- BROWN, SAMUEL MORISON (1817—1856)
- BROWN, SIR GEORGE (1790-1865)
- BROWN, SIR JOHN (1816-1896)
- BROWN, SIR WILLIAM, BART
- BROWN, THOMAS (1663-1704)
- BROWN, THOMAS (1778-1820)
- BROWN, THOMAS EDWARD (1830-1897)
- BROWN, WILLIAM LAURENCE (1755–1830)
Brown; and from 1893 until his See also:death, at See also:Mentone, on the 16th of See also:March 1898, his See also:work came continually before the public, arousing a See also:storm of See also:criticism and much hostile feeling. Beardsley had an unswerving tendency towards he fantastic of
1
the gloomier and " unwholesome " sort. His treatment of most subjects was revolutionary; he deliberately ignored proportion and See also:perspective, and the " freedom from See also:convention " which he displayed caused his work to be judged with harshness. In certain phases of technique he especially excelled; and his earlier methods of dealing with the single See also:line in See also:conjunction with masses of black are in their way unsurpassed, except in the art of See also:Japan, the See also:country which probably gave his ideas some assistance. He was always an ornamentist, rather than an illustrator; and his work must be judged from that point of view. His See also:frontispiece to Volpone is held by some to be, from this purely technical standpoint, one of the best See also:pen-drawings of the See also:age. His posters for the See also:Avenue See also:theatre and for Mr See also:Fisher Unwin were among the
first of the See also:modern cult of that art.
The following are the See also:chief See also:works which are illustrated with drawings by Beardsley: the Bon Mot Library, The See also:Pall Mall See also:Budget, and The Studio (1893), Sir See also:- THOMAS
- THOMAS (c. 1654-1720)
- THOMAS (d. 110o)
- THOMAS, ARTHUR GORING (1850-1892)
- THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
- THOMAS, GEORGE (c. 1756-1802)
- THOMAS, GEORGE HENRY (1816-187o)
- THOMAS, ISAIAH (1749-1831)
- THOMAS, PIERRE (1634-1698)
- THOMAS, SIDNEY GILCHRIST (1850-1885)
- THOMAS, ST
- THOMAS, THEODORE (1835-1905)
- THOMAS, WILLIAM (d. 1554)
Thomas See also:Malory's Morte d'See also:Arthur (1893-1894), See also:Salome (1894), The Yellow See also:Book (1894-1895), The See also:Savoy See also:Magazine (1896), The See also:Rape of the See also:Lock (1896).
See also J. See also:Pennell, The Studio (1893); See also:Symons, Aubrey Beardsley (1898); R. See also:Ross, Volpone (1898); H. C. Marillier, The See also:Early Work of Aubrey Beardsley (1899); Sm.thers, Reproductions of Drawings by Aubrey Beardsley; See also:John See also:Lane, The Later Works of Aubrey Beardsley (1901); R. Ross, Aubrey Beardsley (1908). (E. F.
End of Article: BEARDSLEY, AUBREY VINCENT (1872-1898)
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