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See also:ALDRICH, See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
HENRY (1647-1710) , See also:English theologian and philosopher, was See also:born in 1647 at See also:Westminster, and was educated at the collegiate school there, under Dr See also:Busby. In 1662 he entered See also:Christ See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
Church, See also:- OXFORD
- OXFORD, EARLS OF
- OXFORD, EDWARD DE VERE, 17TH EARL
- OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
- OXFORD, PROVISIONS OF
- OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
- OXFORD, ROBERT HARLEY, 1ST
Oxford, and in 1689 was made See also:dean in See also:succession to the See also:Roman 'See also:Catholic, See also:John See also:Massey, who had fled to the See also:continent. In 1692 he was See also:vice-See also:chancellor of the University. In 1702 he was appointed See also:rector of See also:Wem in See also:Shropshire, but continued to reside at Oxford, where he died on the 14th of See also:December 1710. He was buried in the See also:cathedral without any memorial at his own See also:desire. Aldrich was a See also:man of unusually varied gifts. A classical See also:scholar of See also:fair merits, he is best known as the author of a little See also:book on See also:logic (Compendium Artis Logicae), a See also:work of little value in itself, but used at Oxford (in 'See also:Mansel's revised' edition) till' See also:long past the See also:middle of the 19th See also:century. Aldrich also composed a number of anthems and church services of high merit, and adapted much of the See also:music of See also:Palestrina and See also:Carissimi to English words with See also:great skill and See also:judgment. To him we owe the well-known catch, " Hark, the bonny Christ Church bells." See also:Evidence of his skill as an architect may be seen in the church and campanile of All See also:Saints, Oxford, and in three sides of the so-called Peckwater Quadrangle of Christ Church, which were erected after his designs. He See also:bore a great reputation for conviviality', and wrote a humorous Latin version
during the See also:Civil See also:War he was himself editor of the New See also:York Illustrated See also:News. In 1865 he moved to See also:Boston and was editor for ten years for See also:Ticknor and Fields—then at the height of their prestige—of the eclectic weekly Every Saturday, discontinued in 1875. From 1881 to 1890 he was editor of the See also:Atlantic Monthly. Meanwhile Aldrich had written much, both in See also:prose and See also:verse. His See also:genius was many-sided, and it is surprising that so busy an editor and so prolific a writer should have attained the perfection of See also:form for which he was remarkable. His successive volumes of verse, chiefly The Ballad of Babie See also:- BELL
- BELL, ALEXANDER MELVILLE (1819—1905)
- BELL, ANDREW (1753—1832)
- BELL, GEORGE JOSEPH (1770-1843)
- BELL, HENRY (1767-1830)
- BELL, HENRY GLASSFORD (1803-1874)
- BELL, JACOB (1810-1859)
- BELL, JOHN (1691-178o)
- BELL, JOHN (1763-1820)
- BELL, JOHN (1797-1869)
- BELL, ROBERT (1800-1867)
- BELL, SIR CHARLES (1774—1842)
Bell (1856), Pampinea, and Other Poems (1861), See also:Cloth of See also:Gold (1874), See also:Flower and See also:Thorn (1876), See also:Friar See also:Jerome's Beautiful Book (1881), Mercedes and Later Lyrics (1883) ,W yndham Towers (1889) , and the collected See also:editions of 1865, 1882, 1897 and 19oo, showed him to be a poet of lyrical skill, dainty See also:touch and felicitous conceit, the See also:influence of See also:Herrick being constantly apparent. He repeatedly essayed the long narrative or dramatic poem, but seldom with success, See also:save in such earlier work as Garnaut See also:- HALL
- HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
- HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
- HALL, BASIL (1788-1844)
- HALL, CARL CHRISTIAN (1812–1888)
- HALL, CHARLES FRANCIS (1821-1871)
- HALL, CHRISTOPHER NEWMAN (1816—19oz)
- HALL, EDWARD (c. 1498-1547)
- HALL, FITZEDWARD (1825-1901)
- HALL, ISAAC HOLLISTER (1837-1896)
- HALL, JAMES (1793–1868)
- HALL, JAMES (1811–1898)
- HALL, JOSEPH (1574-1656)
- HALL, MARSHALL (1790-1857)
- HALL, ROBERT (1764-1831)
- HALL, SAMUEL CARTER (5800-5889)
- HALL, SIR JAMES (1761-1832)
- HALL, WILLIAM EDWARD (1835-1894)
Hall. But no See also:American poet has shown more skill in describing some single picture, See also:mood, conceit or See also:episode. His best things are such lyrics as " See also:Hesperides," " When the See also:Sultan goes to Ispahan," " Before the See also:Rain," "Name-less See also:Pain," " The Tragedy," " Seadrift," " See also:Tiger Lilies," " The One See also:- WHITE
- WHITE, ANDREW DICKSON (1832– )
- WHITE, GILBERT (1720–1793)
- WHITE, HENRY KIRKE (1785-1806)
- WHITE, HUGH LAWSON (1773-1840)
- WHITE, JOSEPH BLANCO (1775-1841)
- WHITE, RICHARD GRANT (1822-1885)
- WHITE, ROBERT (1645-1704)
- WHITE, SIR GEORGE STUART (1835– )
- WHITE, SIR THOMAS (1492-1567)
- WHITE, SIR WILLIAM ARTHUR (1824--1891)
- WHITE, SIR WILLIAM HENRY (1845– )
- WHITE, THOMAS (1628-1698)
- WHITE, THOMAS (c. 1550-1624)
White See also:Rose," " Palabras Carinosas," " Destiny," or the eight-See also:line poem " Identity," which did more to spread Aldrich's reputation than any of his See also:writing after Babie Bell. Beginning with the collection of stories entitled Marjorie Daw and Other See also:People (1873), Aldrich applied to his later prose work that See also:minute care in See also:composition which had previously characterized his verse—taking a near, new or salient situation, and setting it before the reader in a See also:pretty See also:combination of kindly See also:realism and reticent See also:humour. In the novels, Prudence See also:Palfrey (1874), The See also:Queen of Sheba (1877), and The Stillwater Tragedy (188o), there is more rapid See also:action; but the See also:Portsmouth pictures in the first' are elaborated with the affectionate touch shown in the shorter humourous See also:tale, A Rivermouth See also:Romance (1877). In An Old See also:Town by the See also:Sea (1893) the author's birthplace was once more commemorated, while travel and description are the theme of From Ponkapog to Pesth (1883). Aldrich died at Boston on the 19th of See also:March 1907.
His See also:Life was written by Ferris Greenslet (1908).
End of Article: ALDRICH, HENRY (1647-1710)
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