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QUARLES

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Originally appearing in Volume V22, Page 712 of the 1911 Encyclopedia Britannica.
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QUARLES . See also:

FRANCIS (1592-1644), See also:English poet, was See also:born at See also:Romford, See also:Essex, and baptized there on the 8th of May 1592. His See also:father, See also:James Quarles, held several places under See also:Elizabeth, and traced his ancestry to a See also:family settled in See also:England before the See also:Conquest. He was entered at See also:Christ's See also:College, See also:Cambridge, in 16o8, and subsequently at See also:Lincoln's See also:Inn. He was made See also:cup-See also:bearer to the Princess Elizabeth, Electress See also:Palatine, in 1613, remaining abroad for some years; and before 1629 he was appointed secretary to Ussher, the See also:primate of See also:Ireland. About 1633 he returned to England, and spent the next two years in the preparation of his Emblems. In 1639 he was made See also:city chronologer, a See also:post in which See also:Ben See also:Jonson and See also:Thomas See also:Middleton had preceded him. At the outbreak of the See also:Civil See also:War he took the Royalist See also:side, See also:drawing up three See also:pamphlets in 1644 in support of the See also:king's cause. It is said that his See also:house was searched and his papers destroyed by the Parliamentarians in consequence of these publications. He died on the 8th of See also:September in that See also:year. Quarles married in 1618 See also:Ursula Woodgate, by whom he had eighteen See also:children. His son, See also:John Quarles (1624-1665), was exiled to See also:Flanders for his Royalist sympathies and was the author of Fans Lachrymarum (1648) and other poems.

The See also:

work by which Quarles is best known, the Emblems, was originally published in 1635, with See also:grotesque illustrations engraved by See also:William See also:Marshall and others. The See also:forty-five prints in the last three books are borrowed from the Pia Desideria (See also:Antwerp, 1624) of Herman See also:Hugo. Each " See also:emblem " consists of a See also:paraphrase from a passage of Scripture, expressed in ornate and metaphorical See also:language, followed by passages from the See also:Christian Fathers, and concluding with an See also:epigram of four lines. The Emblems was immensely popular with the vulgar, but the critics of the 17th and 18th centuries had no See also:mercy on Quarles. See also:Sir John Suckling in his Sessions of the Poets disrespectfully alluded to him as he " that makes See also:God speak so big in's See also:poetry." See also:Pope in the Dunciad spoke of the Emblems, " Where the pictures for the See also:page atone And Quarles is saved by beauties not his own." The See also:works of Quarles include: A Feast for Wormes. Set forth in a Poeme of the See also:History of See also:Jonah (162o), which contains other scriptural paraphrases, besides the one that furnishes the See also:title; Hadassa; or the History of Queene Ester (1621); See also:Job Militant, with Meditations Divine and Morall (1624); Sions Elegies, wept by Jeremie the See also:Prophet (1624); Sions Sonets sung by See also:Solomon the King (1624), a paraphrase of the See also:Canticles; The Historie of See also:Samson (1631); See also:Alphabet of Elegies upon . . . Dr See also:Aylmer (1625); Argalus and Parthenia (1629), the subject of which is borrowed from Sir See also:Philip See also:Sidney's See also:Arcadia; four books of Divine Fancies digested into Epigrams, Meditations and Observations (1632); a reissue of his scriptural paraphrases and the Alphabet of Elegies as Divine Poems (1633); Hieroglyphikes of the See also:Life of See also:Man (1638) ; Enchyridion, containing Institutions Divine and Moral (1640-41), a collection of four " centuries " of See also:miscellaneous aphorisms; Observations concerning Princes and States upon See also:Peace and Warre (1642), and Boanerges and See also:BarnabasSee also:Wine and Oyle for . . . afflicted Souks (1644-46), both of which are collections of miscellaneous reflections; three violent Royalist tracts (1644), The Loyall Convert, The Whipper Whipt, and The New Distemper, reissued in one See also:volume in 1645 with the title of The Profest Royalist; his quarrell with the Times, and some elegies. Solomon's Recantation ... (1645) contains a memoir by his widow. Other See also:posthumous works are The Shepheards' Oracles (1646), a second See also:part of Boanerges and Barnabas (1646), a See also:broadside entitled A Direfull See also:Anathema against Peace-haters (1647), and an interlude, The Virgin Widow (1649).

An edition of the Emblems (See also:

Edinburgh, 1857) was embellished with new illustrations by C. H. See also:Bennett and W. A. See also:Rogers These are reproduced in the See also:complete edition (1874) of Quarles included in the " See also:Chertsey Worthies Library " by Dr A. B See also:Grosart, who provides an See also:introductory memoir and an appreciation which greatly overestimates Quarles's value as a poet.

End of Article: QUARLES

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