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GIBSON, WILLIAM HAMILTON (1850-1896)

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Originally appearing in Volume V11, Page 944 of the 1911 Encyclopedia Britannica.
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GIBSON, See also:WILLIAM See also:HAMILTON (1850-1896) , See also:American illustrator, author and naturalist, was See also:born in Sandy See also:Hook, See also:Connecticut, on the 5th of See also:October 185o. The failure and (in 1868) See also:death of his See also:father; a New See also:York See also:broker, put an end to his studies in the See also:Brooklyn See also:Polytechnic See also:Institute and made it necessary for him to See also:earn his own living. From the See also:life See also:insurance business, in Brooklyn, he soon turned to the study of natural See also:history and See also:illustration,—he had sketched See also:flowers and See also:insects when he was only eight years old, had See also:long been interested in See also:botany and See also:entomology, and had acquired See also:great skill in making See also:wax flowers,—and his first drawings, of a technical See also:character, were published in 187o. He rapidly became an See also:expert illustrator and a remarkably able See also:wood-engraver, while he also See also:drew on See also:stone with great success. He drew for The American Agriculturist, See also:Hearth and See also:Home, and See also:Appleton's American Cyclopaedia; for The Youth's See also:Companion and St See also:Nicholas; and then for various Harper publications, especially Harper's Monthly See also:Magazine, where his illustrations first gained popularity. He died of See also:apoplexy, brought on by overwork, on the 16th of See also:July 1896 at See also:Washington, Connecticut, where he had had a summer studio, and where in a great See also:boulder is inset a See also:relief portrait of him by H. K. See also:Bush-See also:Brown. He was an expert photographer, and his drawings had a nearly photographic and almost microscopic accuracy of detail which slightly lessened their See also:artistic value, as a poetic and sometimes humorous quality somewhat detracted from their scientific See also:worth. Gibson was perfectly at home in See also:black-and-See also:white, but rarely (and feebly) used See also:colours. He was a popular writer and lecturer on natural history; in his best-known lecture, on " See also:Cross-Fertilization," he used ingenious charts and See also:models. Gibson illustrated S.

A. See also:

Drake's In the See also:Heart of the White Mountains, C. D. See also:Warner's New See also:South, and E. P. See also:Roe's Nature's Serial See also:Story; and his own books, The See also:Complete American Trapper (1876; revised, 188o, as See also:Camp Life in the See also:Woods) ; See also:Pastoral Days: or, Memories of a New See also:England See also:Year (188o); Highways and Byways (1882); Happy See also:Hunting Grounds (1886); Strolls by Starlight and See also:Sunshine (1891); See also:Sharp Eyes: a Rambler's See also:Calendar (1891); Our Edible Mushrooms and Toadstools (1895); See also:Eye See also:Spy: Afield with Nature among Flowers and Animate Things (1897); and My Studio Neighbours (1898). See See also:John C. See also:Adams, William Hamilton Gibson, Artist, Naturalist Author (New York, 19o1).

End of Article: GIBSON, WILLIAM HAMILTON (1850-1896)

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