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See also:- WARD
- WARD, ADOLPHUS WILLIAM (1837- )
- WARD, ARTEMUS
- WARD, EDWARD MATTHEW (1816-1879)
- WARD, ELIZABETH STUART PHELPS (1844-1911)
- WARD, JAMES (1769--1859)
- WARD, JAMES (1843– )
- WARD, JOHN QUINCY ADAMS (1830-1910)
- WARD, LESTER FRANK (1841– )
- WARD, MARY AUGUSTA [MRS HUMPHRY WARD]
- WARD, WILLIAM (1766-1826)
- WARD, WILLIAM GEORGE (1812-1882)
WARD, See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
JAMES (1769--1859) , See also:English See also:animal painter and engraver, was See also:born in See also:Thames See also:Street, See also:London, on the 23rd of See also:October 1769. At the See also:age of twelve he was See also:bound apprentice with J. See also:Raphael See also:- SMITH
- SMITH, ADAM (1723–1790)
- SMITH, ALEXANDER (183o-1867)
- SMITH, ANDREW JACKSON (1815-1897)
- SMITH, CHARLES EMORY (1842–1908)
- SMITH, CHARLES FERGUSON (1807–1862)
- SMITH, CHARLOTTE (1749-1806)
- SMITH, COLVIN (1795—1875)
- SMITH, EDMUND KIRBY (1824-1893)
- SMITH, G
- SMITH, GEORGE (1789-1846)
- SMITH, GEORGE (184o-1876)
- SMITH, GEORGE ADAM (1856- )
- SMITH, GERRIT (1797–1874)
- SMITH, GOLDWIN (1823-191o)
- SMITH, HENRY BOYNTON (1815-1877)
- SMITH, HENRY JOHN STEPHEN (1826-1883)
- SMITH, HENRY PRESERVED (1847– )
- SMITH, JAMES (1775–1839)
- SMITH, JOHN (1579-1631)
- SMITH, JOHN RAPHAEL (1752–1812)
- SMITH, JOSEPH, JR
- SMITH, MORGAN LEWIS (1822–1874)
- SMITH, RICHARD BAIRD (1818-1861)
- SMITH, ROBERT (1689-1768)
- SMITH, SIR HENRY GEORGE WAKELYN
- SMITH, SIR THOMAS (1513-1577)
- SMITH, SIR WILLIAM (1813-1893)
- SMITH, SIR WILLIAM SIDNEY (1764-1840)
- SMITH, SYDNEY (1771-1845)
- SMITH, THOMAS SOUTHWOOD (1788-1861)
- SMITH, WILLIAM (1769-1839)
- SMITH, WILLIAM (c. 1730-1819)
- SMITH, WILLIAM (fl. 1596)
- SMITH, WILLIAM FARRAR (1824—1903)
- SMITH, WILLIAM HENRY (1808—1872)
- SMITH, WILLIAM HENRY (1825—1891)
- SMITH, WILLIAM ROBERTSON (1846-'894)
Smith, but he received little See also:attention and learnt nothing from this engraver. He was afterwards instructed for over seven years by his See also:elder See also:brother, See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William Ward, and he engraved many admirable plates, among which his " Mrs See also:Billington," after See also:Reynolds, occupies a very high See also:place. He presented a See also:complete set of his engravings, in their various states, numbering three See also:hundred impressions, to the See also:British Museum. While still a youth he made the acquaintance of See also:George See also:Morland, who afterwards married his See also:sister; and the example of this artist's See also:works induced him to See also:attempt See also:painting. His See also:early productions were rustic subjects in the manner of Morland, which were frequently sold as the See also:work of the more celebrated painter. His " See also:Bull-Bait," an animated See also:composition, introducing many figures, attracted much attention in the Royal See also:Academy of 1797. A See also:commission from See also:Sir See also:John See also:Sinclair, See also:president of the new agricultural society, to paint an See also:Alderney cow, led to much similar work, and turned Ward's attention to animal-painting, a See also:department in which he achieved his highest See also:artistic successes. His " Landscape with See also:Cattle," acquired for the See also:National See also:Gallery at a cost of (1500, was painted in 182o–1822 at the See also:suggestion of See also:West, in emulation of the " Bull of See also:Paul See also:Potter " at the See also:Hague. His " See also:Boa See also:Serpent Seizing a See also:Horse " was executed in 1822, and his admirable " See also:Grey Horse," shown in the Old Masters' See also:Exhibition of 1879, See also:dates from 1828. Ward also produced portraits, and many landscapes like the " Gordale Scar " and the " See also:Harlech See also:Castle " in the National Gallery. Sometimes he turned aside into the less fruitful paths of See also:allegory, as in his unsuccessful " See also:Pool of See also:Bethesda " (1818), and " See also:Triumph of the See also:Duke of See also:Wellington " (1818). He was a frequent contributor to the Royal Academy and the British Institution, and in 184.1 he collected one hundred and See also:forty examples of his See also:art, and exhibited them in his See also:house in See also:Newman Street. He was elected an See also:associate of the Royal Academy in 1807, and a full member in 1811, and died at See also:Cheshunt on the 23rd of See also:November 1859.
Ward compiled an autobiography, of which an abstract was published in the Art See also:Journal in ;849.
End of Article: WARD, JAMES (1769--1859)
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