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PEALE, CHARLES WILLSON (1741-1826)

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Originally appearing in Volume V21, Page 23 of the 1911 Encyclopedia Britannica.
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PEALE, See also:CHARLES WILLSON (1741-1826) , See also:American portrait painter, celebrated especially for his portraits of See also:Washington, was See also:born in See also:Queen See also:Anne See also:county, See also:Maryland, on the 16th of See also:April 1741. During his See also:infancy the See also:family removed to Chestertown, See also:Kent county, Maryland, and after the See also:death of his See also:father (a See also:country schoolmaster) in 1750 they removed to See also:Annapolis. Here, at the See also:age of 13, he was apprenticed to a saddler. About 1764 he began seriously to study See also:art. He got some assistance from Gustavus Hesselius, a See also:Swedish portrait painter then living near Annapolis, and from See also:John Singleton See also:Copley in See also:Boston; and in 1767-1770 he studied under See also:Benjamin See also:West in See also:London. In 1770 he opened a studio in See also:Philadelphia, and met with immediate success. In 1772, at See also:Mount See also:Vernon, Peale painted a three-quarters-length study of Washington (the earliest known portrait of him), in the See also:uniform of a See also:colonel of See also:Virginia See also:militia. This See also:canvas is now in the See also:Lee Memorial See also:Chapel of Washington and Lee University. He painted various other portraits of Washington; probably the best known in a full-length, which was made in 1778, and of which Peale made many copies. This portrait had been ordered by the See also:Continental See also:Congress, which, however, made no See also:appropriation for it, and eventually it was bought for a private collection in Philadelphia. Peale painted two miniatures of Mrs Washington (1772 and 1777), and portraits of many of the famous men of the See also:time, a number of which are in See also:Independence See also:Hall, Philadelphia. His portraits of Washington do not See also:appeal so strongly to Americans as do those of See also:Gilbert See also:Stuart, but his admitted skill as a draughtsman gives to all of his See also:work considerable See also:historical value.

Peale removed to 2 A. See also:

Newton himself regarded this as probably incorrect. See also:Japan or " See also:black-shouldered " Peafowls. See also:golden-See also:green See also:neck and See also:breast furnish a ready means of distinction. See also:Sir R. See also:Heron was confident that the, Japan breed had arisen in See also:England within his memory,2 and C. See also:Darwin (Animals and See also:Plants under Domestication, i. 290-292) was inclined to believe it only a variety; but its abrupt See also:appearance, which rests on indisputable See also:evidence, is most suggestive in the See also:light that it may one See also:day throw on the question of See also:evolution as exhibited in the origin of " See also:species." It should be stated that the japan See also:bird is not known to exist anywhere as a See also:wild See also:race, though apparently kept in Japan. The accompanying See also:illustration is copied from a See also:plate See also:drawn by J. See also:Wolf, given in D. G. Elliot's Monograph of the Phasianidae.

The peafowls belong to the See also:

group Gallinae, from the normal members of which they do not materially differ in structure; and, though by some systematists they are raised to the See also:rank of a family, Pavonidae, most are content to regard them as a sub-family of Phasianidae (See also:PHEASANT, q.v.). Akin to the genus Pavo is Poly-plectrum, of which the See also:males are armed with two or more spurs on each See also:leg, and near them is generally placed the genus Argusianus, containing the See also:argus-pheasants, remarkable for their wonderfully ocellated plumage, and the extraordinary length of the secondary quills of their wings, as well as of the tail-feathers. It must always be remembered that the so-called " tail " of the See also:peacock is formed not by the rectrices or true tail-feathers, but by the singular development of the tail-coverts. (A. N.) Philadelphia in 1777, and served as a member of the See also:committee of public safety; he aided in raising a militia See also:company, became a See also:lieutenant and afterwards a See also:captain, and took See also:part in the battles of Trenton, See also:Princeton and See also:Germantown. In 1779–1780 he was a member of the See also:Pennsylvania See also:assembly, where he voted for the abolition of See also:slavery—he freed his own slaves whom he had brought from Maryland. In 1801 he undertook, largely at his own expense, the excavation of the skeletons of two mastodons in See also:Ulster and See also:Orange counties, New See also:York, and in 1802 he established at Philadelphia Peale's Museum. He was one of the founders, in 1805, of the Pennsylvania See also:Academy of the See also:Fine Arts at Philadelphia. At the age of eighty-one Peale painted a large canvas, " See also:Christ Healing the Sick at See also:Bethesda," and at eighty-three a full-length portrait of himself, now in the Academy of the Fine'Arts. He died at his country See also:home, near Germantown, Pennsylvania, on the 22nd of See also:February 1826. His See also:brother, See also:JAMES PEALE (1749-1831), also an artist, painted two portraits of Washington (one now the See also:property of the New York Historical Society, and the other in Independence Hall, Philadelphia), besides landscapes and historical compositions.

End of Article: PEALE, CHARLES WILLSON (1741-1826)

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