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TORRIGIANO, PIETRO (1472-1522)

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Originally appearing in Volume V27, Page 63 of the 1911 Encyclopedia Britannica.
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TORRIGIANO, PIETRO (1472-1522) , Florentine sculptor, was, according to See also:Vasari, one of the See also:group of talented youths who studied See also:art under the patronage of Lorenzo the Magnificent in See also:Florence. Benvenuto See also:Cellini, See also:reporting a conversation with Torrigiano, relates that he and See also:Michelangelo, while both See also:young, were copying the frescoes in the See also:Carmine See also:chapel, when some slighting remark made by Michelangelo so enraged Torrigiano that he struck him on the See also:nose, and thus caused that disfigurement which is so conspicuous in all the portraits of Michelangelo. Soon after this Torrigiano visited See also:Rome, and helped See also:Pinturicchio in modelling the elaborate See also:stucco decorations in the Apartamenti See also:Borgia for See also:Alexander VI. After some See also:time spent as a hired soldier in the service of different states, Torrigiano was invited to See also:England to execute the magnificent See also:tomb for See also:Henry VII. and his See also:queen, which still exists in the See also:lady chapel of See also:Westminster See also:Abbey. This appears to have been begun before the See also:death of Henry VII. in 1509, but was not finished till 1517. The two See also:effigies are well modelled, and have lifelike but not too realistic portraits. After this Torrigiano received the See also:commission for the See also:altar, See also:retable and baldacchino which stood at the See also:west, outside the See also:screen of Henry VII.'s tomb. The altar had See also:marble pilasters at the angles, two of which still exist, and below the See also:mensa was a See also:life-sized figure of the dead See also:Christ in painted terra-See also:cotta. The retable consisted of a large See also:relief of the Resurrection. The baldacchino was of marble, with enrichments of gilt See also:bronze; See also:part of its See also:frieze still exists, as do also a large number of fragments of the terra-cotta angels which surmounted the baldacchino and parts of the large figure of Christ. The whole of this See also:work was destroyed by the Puritans in the 17th See also:century.' Henry VIII. also commissioned Torrigiano to make him a magnificent tomb, somewhat similar to that of Henry VII., but one-See also:fourth larger, to be placed in a chapel at See also:Windsor; it was, however, never completed, and its See also:rich bronze was melted by the See also:Commonwealth, together with that of See also:Wolsey's tomb. The indentures for these various See also:works still exist, and are printed by See also:Neale, Westminster Abbey, i.

54-59 (See also:

London, 1818). These interesting documents are written in See also:English, and in them the Florentine is called " See also:Peter Torrysany." For Henry VII.'s tomb he contracted to receive £1500, for the altar and its fittings £See also:i000, and £2000 for Henry VIII.'s tomb. Other works attributed from See also:internal See also:evidence to Torrigiano are the tomb of See also:Margaret of See also:Richmond, See also:mother of Henry VII., in the See also:south See also:aisle of his chapel, and a terra-cotta effigy in the chapel of the Rolls. While these royal works were going on Torrigiano visited Florence in See also:order to get skilled assistants. He tried to induce Benvenuto Cellini to come to England to help him, but Cellini refused partly from his dislike to the brutal and swaggering See also:manners of Torrigiano, and also because he did not wish to live among " such beasts as the English." The latter part of Torrigiano's life was spent in See also:Spain, especially at See also:Seville, where, besides the painted figure of St Hieronymus in the museum, some terra-cotta See also:sculpture by him still exists. His violent See also:temper got him into difficulties with the authorities, and he ended his life in 1522 in the prisons of the See also:Inquisition. See Wilhelm See also:Bode, See also:Die italienische Plastik (See also:Berlin, 1902). See also:TORRINGTON, See also:ARTHUR See also:HERBERT, See also:EARL of (1647-1716), See also:British See also:admiral, was the son of a See also:judge, See also:Sir See also:Edward Herbert (c. 1591-1657). He entered the See also:navy in 1663, and served in the Dutch See also:wars of the reign of See also:Charles II., as well as against the See also:Barbary pirates. From i68o to 1683 he commanded in the Mediterranean. His career had been See also:honourable, and he had been wounded in See also:action.

The known Royalist sentiments of his See also:

family combined with his reputation as a See also:naval officer to point him out to the favour of the See also:king, and See also:James II. appointed him See also:rear-admiral of England and See also:master of the See also:robes. The king no doubt counted on his support of the See also:repeal of the Test Acts, as the admiral was member for See also:Dover. Herbert refused, and was dismissed from his places. He now entered into communication with the agents of the See also:prince of See also:Orange, and promised to use his See also:influence with the See also:fleet to forward a revolution. After the acquittal of the seven bishops in 1688 he carried the invitation to See also:William of Orange. The Revolution brought him ample amends for his losses. He was named first See also:lord, and took the command of the fleet at See also:home. In 1689 he was at See also:sea attempting to prevent the See also:French admiral See also:Chateau-Renault (q.v.) from landing the troops sent by the king of See also:France to the aid of King James in See also:Ireland. Though he fought an action with ' An old See also:drawing still exists showing this elaborate work; it is engraved in the Hierurgia anglicana, p. 267 (London, 1848). Many hundreds of fragments of this terra-cotta sculpture were found a few years ago hidden under the See also:floor of the See also:triforium in the 'abbey; they are .infortunately too much broken and imperfect to be fitted together.. the French in See also:Bantry See also:Bay on the loth of May he failed to baffle panions of the See also:Bath upon the revival of that order in 1725.

In 1727 See also:

George II. on his See also:accession made him first lord of the See also:admiralty, and his See also:administration was distinguished by the See also:establishment of the Royal Naval See also:College at See also:Portsmouth. He died on the 17th of See also:January 1733, and was buried at Southill, in See also:Bedfordshire. Two of his eleven sons, Pattee (1699–1747) and George (1701-1750), became respectively the 2nd and 3rd viscounts. The See also:title is still held by the descendants of See also:Vie latter. See See also:Memoirs See also:relating to Lord Torrington, See also:Camden See also:Soc., new See also:series 46, and A True See also:Account of the Expedition of the British Fleet to See also:Sicily 1718-1720, published anonymously, but known to be by See also:Thomas Corbett of the admiralty in 1739. See also:Forbin's Memoirs contain the French See also:side of the expedition to See also:Scotland in 1708.

End of Article: TORRIGIANO, PIETRO (1472-1522)

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