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GUILLAUME D'See also:ORANGE (d. 812), also known as Guillaume Fierabrace, St Guillaume de Gellone, and the See also:Marquis au See also:court
nez, was the central figure of the See also:southern See also:cycle of See also:French ramauce, called by the trouveres the geste of Garin de Monglane. The cycle of Guillaume has more unity than the other See also:great cycles of See also:Charlemagne or of Doon de Mayence, the various poems which compose it forming branches of the See also:main See also:story rather than See also:independent epic poems. There exist numerous cyclic See also:MSS. in which there is an See also:attempt at presenting a continuous histoire poetique of Guillaume and his See also:family. MS. Royal 20 D xi. in the See also:British Museum contains eighteen chansons of the cycle. Guillaume, son of See also:Thierry or See also:Theodoric and of Alde, daughter of See also: He died there in the odour of sanctity on the 28th of May 812.
No less than thirteen See also:historical personages bearing the name of See also: He was Hadhemar, count of Narbonne, who in 809 and 810 was one of the leaders sent by Louis against See also:Tortosa. No doubt the others had historical prototypes. In the hands of the trouveres they became all See also:brothers of Guillaume, and sons of Aymeri de Narbonne,' the See also:grandson of Garin de Monglane, and his wife Ermenjart. Nevertheless when Guillaume seeks help from Louis the emperor he finds all his relations in See also:Laon, in accordance with his historic Frankish origin.
' The poem of Aymeri de Narbonne contains the See also:account of the See also:young Aymeri's brilliant See also:capture of Narbonne, which he then receives as a See also:fief from Charlemagne, of his See also:marriage with Ermenjart, See also:sister of See also:Boniface, king of the See also:Lombards, and of their See also:children. The fifth daughter, Blanchefleur, is represented as the wife of Louis the Pious. The opening of this poem furnished, though indirectly, the See also:matter of the Aymerillot of See also:Victor See also:Hugo's Legende See also:des siecles.
The central fact of the geste of Guillaume is the battle of the Archamp or Aliscans, in which perished Guillaume's heroic See also:nephew, Vezian or Vivien, a second See also:Roland. At the See also:eleventh See also:hour he summoned Guillaume to his help against the overwhelming forces of the Saracens. Guillaume arrived too See also:late to help Vivien, was himself defeated, and returned alone to his wife Guibourc, leaving his knights all dead or prisoners. This event is related in a See also:Norman-French transcript of an old French chanson de geste, the Chancun de Willame—which only was brought to See also:light in 1901 at the See also:sale of the books of See also:Sir See also: Rainouart turns out to be the See also:brother of Guillaume's wife Guibourc, who was before her marriage the Saracen princess and enchantress Orable. Two other poems are consecrated to his later exploits, La Bataille Loquifer, the See also:work of a French Sicilian poet, Jendeu de See also:Brie (fl. 1170), and Le Moniage Rainouart. The staring-point of See also:Herbert le duc of See also:Dammartin (fl. 1170) in Foucon de Candie (Candie = See also:Gandia in Spain ?) is the return of Guillaume from the battle; and the See also:Italian compilation I Nerbonesi, based on these and other chansons, seems in some cases to represent an earlier tradition than the later of the French chansons, although its author See also:Andrea di Barherino wrote towards the end of the 14th century. The minnesinger Wolfram von Eschenbach based his Willehalm on a French See also:original which must have differed from the versions we have. The See also:variations in the story of the defeat of Aliscans or the Archant, and the numerous inconsistencies of the narratives even when considered separately have occupied many critics. Aliscans (Aleschans, Alyscamps, Elysii See also:Campi) was, however, generally taken to represent the battle of Villedaigne, and to take its name from the famous See also:cemetery outside See also:Arles. Wolfram von Eschenbach even mentions the tombs which studded the See also: 450-1326 and 1r. 1326-2420) of the fight appear to be set See also:side by side as if they were separate episodes. Le Couronnement Looys, already mentioned, Le Charroi de See also:Nimes (12th century) in which Guillaume, who had been forgotten in the See also:distribution of fiefs, enumerates his services to the terrified Louis, and Aliscans (12th century), with the earlier Chancun, are among the finest of the French epic poems. The figure of Vivien is among the most heroic elaborated by the trouveres, and the See also:giant Rainouart has more than a See also:touch of Rabelaisian See also:humour. The chansons de geste of the cycle of Guillaume are: Enfances Garin de Monglane (15th century) and Garin de Monglane (13th century), on which is founded the See also:prose See also:romance of See also:Guerin de Monglane, printed in the 15th century by Jehan Trepperel and often later; Girars de Viane (13th century, by See also:Bertrand de Barsur-See also:Aube), ed. P. Tarbe (See also:Reims, 1850) ; Hernaut de Beaulande (fragment 14th century); Renier de Gennes, which only survives in its prose form; Aymeri de Narbonne (c. 1210) by Bertrand de See also:Bar-sur-Aube, ed. L. bemaison (See also:Soc. des anc. textes fr., See also:Paris, 2 vols., 1887) ; See also:Les Enfances Guillaume (13th century) ; Les Narbonnais, ed. H. Suchier (Soc. des anc. textes fr., 2 vols., 1898), with a Latin fragment dating from the 11th century, preserved at the See also:Hague; Le Couronnement Looys (ed. E. See also:Langlois, 1888), Le Charroi de Names, La Prise d'Orange, Le Covenant Vivien, Aliscans, which were edited by W. J. A. Jonckbloet in vol. i. of his Guillaume d'Orange (The Hague, 1854); a See also:critical See also:text of Aliscans (See also:Halle, 1903, vol. 1.) is edited by E. Wienbeck, W. Hartnacke and P. Rasch; Loquifer and Le Moniage Rainouart (12th century); Bovon de Commarchis (13th century), recension of the earlier See also:Siege de Barbastre, by See also:Adenes li Rois, ed. A. See also:Scheler (See also:Brussels, 1874); See also:Guibert d'Andrenas (13th century) ; La Prise de Cordres (13th century) ; La Mort Aimeri de Narbonne, ed. J. Couraye de Parc (Soc. des Anciens Textes See also:francais, Paris, 1884) ; Foulque de Candie (ed. P. Tarbe, Reims, 1860) ; Le Moniage Guillaume (12th century); Les Enfances Vivien (ed. C. Wahlund and H. v. Feilitzen, See also:Upsala and Paris, 1895) ; Chancun de Willame (See also:Chiswick See also:Press, 1903), described by P. See also:Meyer in Romania (xxxiii. 597-618). The ninth See also:branch of the Karlamagnus See also:Saga (ed. C. R. Unger, See also:Christiania, 186o) deals with the geste of Guillaume. I Nerbonesi is edited by J. G. Isola (See also:Bologna, 1877, &c.). See C. R6villout, Etude hist. el lilt. sur la vita sancti Willelmi (See also:Montpellier, 1876) ; W. J. A. Jonckbloet, Guillaume d'Orange (2 vols., 1854, The Hague) ; L. Clarus (ps. for W. See also:Volk), See also:Herzog Wilhelm von Aquitanien (See also:Munster, 1865) ; P. Paris, in Hist. lift. de la France (vol. xxii., 1852) ; L. See also:Gautier, Epopees francaises (vol. iv., 2nd ed., 1882) ; R. See also:Weeks, The newly discovered Chancun de Willame (See also:Chicago, 1904); A. See also: The conclusions arrived at by earlier writers are combated by See also:Joseph Bedier in the first See also:volume, " Le Cycle de Guillaume d'Orange " (1908), of his Legendes epiques, in which he constructs a theory that the cycle of Guillaume d'Orange See also:grew up See also:round the various shrines on the See also:pilgrim route to Saint Gilles of Provence and Saint See also: Additional information and CommentsThere are no comments yet for this article.
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