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YAZDEGERD (" made by God," Izdegerdes)

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Originally appearing in Volume V28, Page 910 of the 1911 Encyclopedia Britannica.
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YAZDEGERD (" made by See also:God," Izdegerdes) , the name of three See also:Sassanid See also:kings of See also:Persia. (I) YAZDEGERD I., son of See also:Shapur III., 399-420, called "the sinner" by the Persians, was a highly intelligent ruler, who tried to emancipate himself from the dominion of the magnates and the Magian priests. He punished the nobles severely when they attempted oppression; he stopped the persecution of the Christians and granted them their own organization. With the See also:Roman See also:Empire he lived in See also:peace and friendship, and is therefore as much praised by the See also:Byzantine authors (Procop. Pers. i. 2; Agath. iv. 26) as he is blamed by the Persians. After a reign of twenty years he appears to have been murdered in See also:Khorasan. (2) YAZDEGERD II., was the son of Bahram V. Gor, 438-457. He persecuted the Christians and See also:Jews, and had a See also:short See also:war with See also:Rome in 441. He tried to extend his See also:kingdom in the See also:East and fought against the Kushans and Kidarites (or See also:Huns).

(3) YAZDEGERD III., a See also:

grandson of See also:Chosroes II., who had been murdered by his son See also:Kavadh II. in 628, was raised to the See also:throne in 632 after a See also:series of See also:internal conflicts. He was a See also:mere See also:child and never really ruled; in his first See also:year the Arabic invasion began, and in 637 the See also:battle of Kadisiya decided the See also:fate of the empire. See also:Ctesiphon was occupied by the See also:Arabs, and the See also:king fled into See also:Media. Yazdegerd fled from one See also:district to another, till at last he was murdered at Mery in 651 (see See also:CALIPHATE, See also:sect. A. 1). The See also:Parsees, who use the old See also:Persian See also:calendar, continue to See also:count the years from his See also:accession (era of Yazdegerd, beginning See also:June 16th, A.D. 632). - (ED. M.) YEAST (O.E. giest or gyst; the See also:root yes-, to See also:boil, ferment, is seen in Sansk. nir-ydsa, exudations from trees, and Gr. Ntv, to boil), a cellular organism produced in the alcoholic fernnentat1on of saccharine liquids (see See also:FUNGI, See also:FERMENTATION, See also:BREWING). YEATS, See also:WILLIAM See also:BUTLER (1865– ), Irish author, son of J.

B. Yeats (b. 1839), a distinguished Irish artist and member of the Royal Hibernian See also:

Academy, was See also:born at Sandymount, See also:Dublin, on the 13th of June 1865. At nine years old he went to live with his parents in See also:London, and was sent to the See also:Godolphin School, See also:Hammersmith. At fifteen he went to the See also:Erasmus See also:Smith School in Dublin. Later he studied See also:painting for a short See also:time at the Royal Dublin Society, but soon turned to 9I0 literature, contributing poems and articles to the Dublin University See also:Review and other Irish See also:periodicals. In 1888 he was encouraged by Oscar See also:Wilde to try his See also:fortune in London, where he published in 1889 his first See also:volume of See also:verse, The Wanderings of Oisin; its See also:original and romantic See also:touch impressed discerning critics, and started a new See also:interest in the " See also:Celtic " See also:movement. The same year and the next he contributed to Mr See also:Walter See also:Scott's " Camelot Series," edited by Ernest Rhys, See also:Fairy and Folk Tales, a collection of Irish See also:folklore, and Tales from See also:Carleton, with original introductions. In 1891 he wrote anonymously two Irish stories, See also:John See also:Sherman and Dhoya, for Mr See also:Fisher Unwin's " See also:Pseudonym Library." In 1892 he published another volume of verse, including The Countess Kathleen (a romantic See also:drama), which gave the See also:book its See also:title, and in 1893 The Celtic See also:Twilight, a volume of essays and sketches in See also:prose. He now submitted his earlier poetical See also:work to careful revision, and it was in the revised versions of The Wanderings of Usheen and The Countess Kathleen, and the lyrics given in his collected Poems of 1895 that his See also:authentic poetical See also:note found adequate expression and was recognized as marking the rise of a new Irish school. In the meantime he had followed The Countess Kathleen with another poetical drama, The See also:Land of See also:Heart's See also:Desire, acted at the See also:Avenue See also:Theatre for six See also:weeks in the See also:spring of 1894, published in May of that year. He contributed to various periodicals, notably to the See also:National Observer and the Bookman, and also to the Book of the Rhymers' See also:Club—the See also:English Parnasse Contemporain of the See also:early 'nineties.

With See also:

Edwin J. See also:Ellis he edited the See also:Works of William See also:Blake (1893), and also edited A Book of Irish Verse (1895). In 1897 appeared The See also:Secret See also:Rose, a collection of Irish Iegends and tales in prose, with See also:poetry interspersed, containing the stories of Hanrahan the Red. The same year he printed privately The Tables of the See also:Law and the See also:Adoration of the Magi, afterwards published in a volume of Mr Elkin See also:Mathews's " See also:Vigo See also:Street See also:Cabinet " in 1904. In 1889 he published The See also:Wind among the Reeds, containing some of his best lyrics, and in 190o another poetical drama, The Shadowy See also:Waters. He now became specially interested in the See also:establishment of an Irish See also:literary theatre; and he founded and conducted an occasional periodical (appearing fitfully at irregular intervals), called first Beltain and later Samhain, to expound its aims and preach his own views, the first number appearing in May 1899. In the autumn of 1901 Mr F. R. See also:Benson's See also:company produced in London the See also:play Diarmuid and Grania, written in collaboration by him and See also:George See also:Moore. In 1902 he published his own first original play in prose, Cathleen ni Houlihan, which was printed in Samhain in See also:October that year. In 1903 he collected and published a volume of literary and See also:critical essays, to which he gave the title, Ideas of See also:Good and Evil. In the same and the following years he published a collected edition of his Plays for an Irish Theatre, comprising Where There is Nothing, The See also:Hour-See also:Glass, Cathleen ni Houlihan, The Pot of Broth, The King's See also:Threshold and On Baffle's Strand.

In 1904 he also edited two volumes of Irish Representative Tales. Whether or not " Celtic " is the right word for it, Mr Yeats's See also:

art was quickly identified by enthusiasts with the literary See also:side of the new Irish national movement. His See also:inspiration may he traced in some measure to the Pre-Raphaelites and also to Blake, See also:Shelley and See also:Maeterlinck; but he found in his native Irish See also:legend and See also:life See also:matter See also:apt for his romantic and often elfin See also:music, with its artful simplicities and unhackneyed cadences, and its elusive, inconclusive See also:charm. Seethe See also:section on W. B. Yeats in Poets of the Younger See also:Generation by William See also:Archer (1902), and for bibliography up to June 1903, English Illustrated See also:Magazine, vol. See also:xxix. (N.S.) p. 288. A library edition of his collected works in prose and verse was issued by Mr Bullen from the See also:Shakespeare See also:Head Works, See also:Stratford-on-See also:Avon, in 8 vols., 1go8.

End of Article: YAZDEGERD (" made by God," Izdegerdes)

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