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WOOLNER, THOMAS (1825-1892)

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Originally appearing in Volume V28, Page 818 of the 1911 Encyclopedia Britannica.
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WOOLNER, See also:THOMAS (1825-1892) , See also:British sculptor and poet, was See also:born at See also:Hadleigh, See also:Suffolk, on- the 17th of See also:December 1825. When a boy he showed See also:talent for modelling, and when barely thirteen years old was taken as an assistant into the studio of See also:William Behnes, and trained during four years. In December 1842 Woolner was admitted a student in the Royal See also:Academy, and in 1843 exhibited his " Eleanor sucking See also:Poison from the See also:Wound of See also:Prince See also:Edward." In 1844, among the competitive See also:works for decorating the Houses of See also:Parliament was his See also:life-See also:size See also:group of " The See also:Death of See also:Boadicea." In 1846 he had at the Royal Academy a graceful bas-See also:relief of See also:Shelley's " See also:Alastor." Then came (1847) " Feeding the Hungry," a bas-relief, at the Academy; and at the British Institution a brilliant statuette of " Puck " perched upon a See also:toadstool and with his toe rousing a See also:frog. " See also:Eros and See also:Euphrosyne " and " The See also:Rainbow " were seen at the Academy in 1848. Woolner became, in the autumn of 1848, one of the seven Pre-Raphaelite Brethren, and took a leading See also:part in The Germ (185o), the opening poem in which, called " My Beautiful See also:Lady," was written by him. He had already modelled and exhibited portraits of See also:Carlyle, See also:Browning and See also:Tennyson. Unable to make his way in See also:art as he wished, Woolner in 1852 tried his See also:luck as a See also:gold-digger in See also:Australia. Failing in this, he returned to See also:England in 18J7, where during his See also:absence his reputation had been in-creased by means of a statue of "Love" as a damsel lost in a See also:day-See also:dream. Then came his second portraits of Carlyle, Tennyson and Browning, the figures of See also:Moses, See also:David, St See also:John the Baptist and St See also:Paul for the See also:pulpit of See also:Llandaff See also:cathedral, the medallion portrait of See also:Wordsworth in See also:Grasmere See also:church, the likenesses of See also:Sir Thomas See also:Fairbairn, Rajah See also:Brooke of See also:Sarawak, Mrs Tennyson, Sir W. See also:Hooker and Sir F. See also:Palgrave. The See also:fine statue of See also:Bacon in the New Museum at See also:Oxford was succeeded by full-size statues of Prince See also:Albert for Oxford, See also:Macaulay for See also:Cambridge, William III. for the Houses of Parliament, See also:London, and Sir Bartle See also:Frere for Bombay; busts of Tennyson, for Trinity See also:College, Cambridge, Dr ZVhewell, and See also:Archdeacon See also:Hare; statues of See also:Lord See also:Lawrence for See also:Calcutta, See also:Queen See also:Victoria for See also:Birmingham, See also:Field for the See also:Law Courts, London, See also:Palmerston for See also:Palace Yard, the See also:noble See also:colossal See also:standing figure of See also:Captain See also:Cook that overlooks the See also:harbour of See also:Sydney, New See also:South See also:Wales, which is Woolner's masterpiece in that class; the recumbent effigy of Lord F.

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Cavendish (murdered in See also:Dublin) in Cartmel church, the seated Lord See also:Chief See also:Justice See also:White-See also:side for the Four Courts, Dublin, and John See also:Stuart See also:Mill for the See also:Thames See also:Embankment, London; See also:Landseer, and See also:Bishop See also:Jackson for St Paul's, Bishop See also:Fraser for See also:Manchester, and Sir See also:Stamford See also:Raffles for See also:Singapore. Among Woolner's busts are those of See also:Newman, See also:Darwin, See also:Sedgwick, See also:Huxley, See also:Cobden, See also:Professor Lushington, See also:Dickens, See also:Kingsley, and Sir William See also:Gull, besides the repetition, with See also:variations, of See also:Gladstone for the Bodleian, Oxford, and See also:Mansion See also:House, London, and Tennyson. The last was acquired for See also:Adelaide, South Australia. Woolner's poetic and imaginative sculptures include " Elaine witjl the See also:Shield of See also:Lancelot," three fine panels for the See also:pedestal of the Gladstone bust at Cambridge, the noble and See also:original " Moses " which was commissioned in 1861 and is on the See also:apex of the gable of the Manchester See also:Assize `Courts, and two other works in the same See also:building; " Ophelia," a statue (1869); " In Memoriam "; " Virgilia See also:sees in a See also:vision See also:Coriolanus routing the Volsces "; " Guinevere "; " See also:Mercury teaching a shepherd to sing," for the Royal College of See also:Music; " Ophelia," a bust (1878); " See also:Godiva," and " The See also:Water See also:Lily." In 1864 he married Alice Gertrude See also:Waugh, by whom he had two sons and four daughters. He was elected an See also:associate of the Royal Academy in 1871, and a full member in 1874. Woolner wrote and published two amended versions of " My Beautiful Lady " from The Germ, as well as " See also:Pygmalion " (1881), " See also:Silenus " (1884), " Tiresias " (1886), and " Poems " (1887) comprising " Nelly See also:Dale " (1886) and " See also:Children." Having been elected professor of See also:sculpture in the Royal Academy, Woolner began to prepare lectures, but they were never delivered, for he resigned the See also:office in 1879. He died suddenly on the 7th of See also:October 1892, and was buried in the See also:churchyard of St See also:Mary's, See also:Hendon.

End of Article: WOOLNER, THOMAS (1825-1892)

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