CARPET , the name given to any See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

If one may See also:

• JUDGE (Lat. judex, Fr. juge)

1 and 2 seems to be a step in a progress towards the introduction at an apparently later date of tufts into See also:

• LOOM

It is in vogue principally throughout See also:

• ASIA

Chocqueel, See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

7, and another in Plate IV. fig. 9). Types of the more austere design occur in carpets from See also:

• AFGHANISTAN

Produced in great quantities the See also:

• PRISON (derived through the Fr. from the Lat. prehensio, seizure)

3); but the typical flowing and more graceful versions. are of Persian origin (see Plate III. fig. 7, and Plate IV. fig. 9), usually of the 16th century. Mingled in such intricate See also:

• STEM (O. Eng. staefn, stemn, cf. Du. stain, Ger. Stamm, &c., probably related to " staff ")

But more historically precise is the See also:

• RECORD (Lat. recordari, to recall to mind, from cor, heart or mind)

3, Plate II. fig. 4, and Plate IV. fig. 1o); not, however, to the See also:

• MAJORITY (Fr. majorite; Med. Lat. majoritas; Lat. major, greater)

8), and is of Persian design, into which are introduced the arms of the company, See also:

• SHIELDS, JAMES (181b-1879)

The details of their designs consist for the most part of arabesques and long curved serrated leaves similar to such as are commonly used in Rhodian pottery decoration of the 16th century, though more typical of those so frequent in 17th-century Turkish ornament. Various considerations See also:

• LEAD
• LEAD (pronounced iced)

More notable, however, than these is Pere Norbert, who naturalized himself as an Englishman, changed his name to Parisot, and started a manufactory of pile carpets and a training school in the craft at See also:

• FULHAM

In the Transactions of the Society, vol. i., dated 1783, it is stated that by their rewards, the manufacture of " Turky carpets is now established in different parts of the See also:

• KINGDOM

It was not until 188o that French pile carpet manufacturers began to adopt similar carpet power-looms, importing them from England. These See also:

• MACHINES

Whilst the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

The more important art museums in Europe contain collections of Oriental carpets, and the history of many is fairly well established. The subject has become one of serious study, the results of which have been published and elucidated by means of well-executed coloured reproductions of carpets and rugs preserved in both public and private collections. which precedes by nine or ten years the more learned works by Riegl and Bode, there are two examples, one ascribed to the manufactory at Alcaraz in La See also:

• MANCHA, LA (Arabic, Al Mancha, " the dry land " or "wilderness ")

M. Stockel, See also:

• SMYRNA (Ismir)

1202. Another pile carpet of conventional garden design, probably not of earlier manufacture than 14th century, is also illustrated and carefully discussed, especially in connexion with the appearance in it of well-authenticated See also:

• SASSANID, or SASSANIAN DYNASTY (Or SASANIAN)

See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)