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CX1

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Originally appearing in Volume V21, Page 803 of the 1911 Encyclopedia Britannica.
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CX1 . 26 in date from 177o to 1788, in the See also:

Adam See also:style. Many of See also:Flax-See also:man's designs were produced in See also:plate, among the most important being the " See also:Shield of See also:Achilles," in See also:silver-gilt, at See also:Windsor See also:Castle. See also:Thomas See also:Stothard, the painter, executed several designs for See also:gold-See also:smith's See also:work for Rundell and See also:Bridge. The Assay of Gold and Silver Plate.—The See also:primitive method of testing the purity of the See also:metal was by marking a streak with it on the touchstone, and comparing the See also:colour of the See also:mark with that made by various pieces of gold or silver of known degrees of purity. Assay by cupellation is now employed for silver: a piece of the silver to be tested is melted with some See also:lead in a cupel or See also:bone-ash crucible; the lead is oxidized, and rapidly sinks into the bone-ash, carrying with it any other impurities which are See also:present. The See also:residue of pure silver is then weighed, and by its loss shows how much alloy it contained. Gold is now tested by an elaborate chemical See also:process by which the trial See also:bit is dissolved in See also:acid, and then thrown down in the See also:form of precipitate, v.'hich can be examined by a careful quantitative See also:analysis (see See also:ASSAYING). The See also:standard of purity required in the See also:time of See also:Edward I. was, for gold, that it should be of the " See also:Paris See also:touch," i.e. 19J carats out of 24. Before then 22 carats was the standard. Silver was to be " of the See also:sterling alloy," viz.

11 oz. 2 dwt. to the See also:

pound. Except for a time during the 16th See also:century this standard of silver has been kept up, and is still required by See also:law. See also:Hall-marks on Silver.—In the 13th century the See also:English Gild of Gold- and Silver-smiths had grown into See also:great importance, and had acquired monopolies and many See also:special privileges. In See also:order to keep the standard up to the required purity the See also:system of requiring each See also:article to be stamped with certain marks was introduced by royal command. The first of these was the II See also:king's mark—a See also:leopard's or See also:lion's See also:head crowned. This was introduced in 1300 by Edward I. (29 Edw. I. stat. 3, c. 30). The second, the maker's mark, was instituted in 1363 (37 Edw.

III. c. 7). This might be any badge or initial chosen by the See also:

master silversmith himself. The third was the See also:Year See also:letter or assayer's mark; this was an See also:alphabet, one letter being used for a year, counting from the See also:day of the See also:annual See also:election of the See also:warden of the Goldsmiths' See also:Company. When one alphabet was exhausted another with differently shaped letters was begun. The earliest existing piece of plate which has the three marks is the See also:chalice (with See also:paten, 1479-1480), at Nettlecombe, See also:Somerset. Other marks, subsequently introduced, were the lion passant, first used in 1544; the lion's head erased; and a full-length figure of Britannia, used only between 1697 and 1719-1720; and, lastly, the portrait of the reigning See also:sovereign, which was used from 1784 to 189o, when the See also:duty on gold and silver plate ceased. In addition to these See also:general hall-marks, the plate made in various provincial towns had certain special assay and hall-marks. The best work on hall-marked plate and the marks themselves, with the See also:history of the Goldsmiths' Company, is C. J. See also:Jackson's English Goldsmiths and their Marks (1905), where will be found illustrations of the marks found on plate wrought in See also:Scotland and See also:Ireland, and at English provincial gilds—York, See also:Norwich, See also:Exeter, See also:Chester, See also:Lincoln, See also:Newcastle, See also:Birmingham, See also:Sheffield and other places. E.

See also:

Alfred See also:Jones's See also:book, Old English Gold Plate (1907), illustrates and describes gold plate only. See also:Modern Plate in the See also:East.—Though little plate of real See also:artistic merit is now made in See also:Europe, in the East among the Moslem and See also:Hindu races there still survive some real See also:taste in See also:design and skill in See also:execution. See also:Delhi, See also:Benares, See also:Lucknow, See also:Cutch and other places in See also:India and See also:Kashmir still produce a quantity of beautiful silver and gold work—chiefly ewers, basins, See also:rose-See also:water sprinklers, salvers, See also:coffee-pots and the like. These are of graceful form, covered with See also:rich repousse work, or more often with very delicate chased patterns. Their style in the See also:main is Moslem, but some combine an Arab form with native See also:Indian See also:surface decoration. This class of work is not a revival, but has been practised and handed down by unbroken tradition, and with little or no See also:change in style from the 16th century or even earlier.' The silversmiths of See also:Persia, See also:Damascus and other Eastern places are still skilful, and retain some See also:good tradition in their designs. They are, however, more occupied in the See also:production of See also:personal ornaments than in making larger See also:works of silver or gold. AUTaoRITIES.—Scandinavian and See also:Celtic Plate.—Worsaae, Primeval Antiquities of See also:Denmark (1849); Afbildninger fra de Kongelige Museum (1854) ; " See also:Industrial Arts of Denmark," S.K.M. See also:Hand-book (1882) ; See also:Atlas de l'archeologie du word (1857) ; See also:Anderson, Mindelblade fra de danske kongers Samling (1867) ; Danmarks, Norges, og Sverigs historie (1867); Madsen, Afbildninger of danske Oldsager 1868-1876) ; Montelius, Antiquites suedoises (1873-1875) ; See also:Stralsund, Der Goldschmuck von Hiddensoe (1881) ; See also:Hildebrand, " Industrial Arts of Scandinavia," S.K.M. (1882); See also:Reeves, See also:Shrine of St See also:Patrick's See also:Bell (185o) ; See also:Wilde, See also:Catalogue of Antiquities of Gold, Royal Irish See also:Academy (1862); See also:Margaret See also:Stokes, See also:Early See also:Christian See also:Art in Ireland (1875); J. See also:Romilly See also:Allen, Celtic Art in See also:Pagan and Christian Times (1904). Danish.—C.

Nyrop, Meddelelser and dansk Guldesmedekunst (1884); Bernhard Olsen, De kjobenhavnske Guldsmedes Marker fra Tiden for Aaret, z800 (1892). See also:

Italian.—L. Caglieri, Compendio delle vite dei santi orefici ed argentieri (1727); Il Sanluario delle retiquie ossia it tesoro della See also:basilica di S. See also:Antonio di Padova (1851) ; " Stanziamenti e contratti per opere di oreficeria (XIV.-XV. cent.)," See also:Perugia: R.Commissione Giornale, i. 333, iii. 206, 225 (1872-1874); See also:Filangieri, Documenti per la storia, le arte e le industrie delle provincie napoletane (1883-1891); Antonio Pasini, Il Tesoro di See also:San Marco, Venezia (2 vols., 1885-1886) ; " Orfevres et l'orfevrerie en See also:Savoie," See also:Chambery: See also:Soc. savoisienne memoires, See also:xxiv. 329 (1886); A. Guarneri, Esposizione di See also:Palermo. Catalogo See also:delta collezione di antica oreficeria ed argenteria (1891); L. Fumi, Il Sanluario del SS. Corporate See also:net duomo di See also:Orvieto (1896) ; Congresso eucaristico ed esposizione di arte sacra antica in Orvieto (1897); Congresso eucaristico di Venezia (1898); A. Cocchi, See also:Les Anciens reliquaires de See also:Santa Maria del Fiore et de San Giovanni de See also:Florence (1903) ; O.

H. Giglioli, See also:

Pistoia, nelle See also:sue opere d'arte (1904); Catalogo generate delta mostra d'arte antica abruzzese in See also:Chieti (1905); E. Manceri, Notizie di Sicilia, arte viii. 388 (1905); P. Piccirilli, Oreficeria medievale aquilana: due cimeli net See also:Victoria and See also:Albert Museum di Londra (1905) ; F. See also:Ferrari, L'Oreficeria in See also:Aquila 1 See See also:Birdwood, Industrial Arts of India (188o), p. 144. (1906); S. J. A. See also:Churchill, " The Goldsmiths of See also:Rome under the Papal Authority," with valuable bibliography, Papers of See also:British School at Rome, vol. iv. (1907); Catalogo delta mostra d'antica arte See also:Umbra (Perugia, 1907) ; Corrado See also:Ricci, Il Palazzo pubblico di See also:Siena e la mostra d' antica arte senese.

See also:

Russian, &c.—A. P. Sonzoff, an illustrated book on some Russian plate (1857-1858); A. Maskell, Russian Art and Art See also:Objects in See also:Russia (1884); C. de Linas, Les Origines de l'orfevrerie cloisonne; See also:Viollet-le-Due, Art russe; Antiquities of the Russian See also:Empire. See also:Austrian and Hungarian.—B. Czobor and I. See also:Szalay, See also:Die historischen Denkmaler Ungarns (1897-1901); E. Radisics and J. Szendrei, Treasure of Hungarian Art (Hung.) (See also:Budapest, 1897-1901); J. Mihalik, "History of Goldsmiths' work at Kassa " (Hung.), in vol. xxi. of Archaeological Proceedings of Hungarian Academy (1899); " Zur Geschichte der Wiener Gold- and Silberschmiedekunst," by E. Leisching, in Kunst and Kunsthandwerk, vii. 343 (1904) ; " Alt Troppauer Goldschmiedekunst," by E.

W. Braun, in Zeitschrift fiir Geschichte ... oesterreichisch Schlesiens, i. 24 (1905); J. Hampel, Aiterthumer See also:

des friihen Mittelalters in Ungarn (See also:Brunswick, 1907) ; Katalog der Ausstellung von alt,-oesterreichischen Goldschmiedearbeiten (Kaiser See also:Franz Josef Museum in See also:Troppau); A. Ilg, Wiener Schmiedewerk. See also:German, &c.—Manuscripts (W. Jamnitzer), "Ein gar kunstlicher and wolgetzicrter Schreibtisch sampt allerhant kunstlichen silbern and vergulten newerfunden Instrumenten " (1585), See also:col. drawings; Sibmacher, Entwurfe See also:fur Goldschmiede (1879); R. Bergau,. Wentzel Jamnitzer (188o) ; Erzeugnisse der Silber-Schmiede Kunst aus dem 16 bis i8 Jahrh. (1883) ; Luthmer, Der Schatz des Freiherrn K. von See also:Rothschild (2 vols., 1883-1885) ; Luthmer and Schuermann, Grossherzoglich-hessische Silberkammer (1884); C. A. von Drach, See also:Alien Silberarbeiten in den kgl. Sammlungen zu See also:Cassel (1888); Marc Rosenberg, Der Goldschmiede Merkzeichen (189o); J.

H. Hefner-Alteneck, Deutsche Goldschmiede-werke des 16. Jahrh. (189o); Marc Rosenberg, 17 Blatt aus dem grossherzoglich sdchsischen Silberschatz See also:

im Schlosse zu See also:Weimar (1891); Die Kunstkammer im grossherzoglichen Residenzschtosse zu See also:Karlsruhe (1892); Siebzehn Blatt aus dem herzoglich Anhaltischen Silberschatz im Schlosse zit See also:Dessau (1895); F. Sarre, Die berliner Goldschmiede Zunft (1895); P. Seidel, " Deux oeuvres de See also:Wenzel Jamnitzer," Der Silber- and Goldschatz der See also:Hohenzollern im kgl. Schlosse zu See also:Berlin (1895); Gaz. des See also:beaux arts, 3 S. xx. 221 (1898); Eugen von Nottbeck and W. See also:Neumann, Geschichte u. Kunstdenkmaler der Stadt Revel (1899) ; Bernhard Olsen, De hamburgske Guldsmede See also:Jakob Mores d. oeldres og d. yngres Arbejder for de danske Konger Frederik II. og Christian IV. (1903), (Die Arbeiten der hamburgischen Goldschmiede See also:Jacob Mores, Vater and Sohn, fur die deinischen Konige See also:Frederick II. and Christian IV.); J. Sembritzki, Verzeichniss in See also:Memel vorhandener, alterer Erzeugnisse der Edelschmiedekunst (1904); H.

P. See also:

Mitchell, " Two works by Wentzel Jamnitzer," Art See also:Journal, p. 105 (1905); W. Neumann, Verzeichnis baltischer Goldschmiede, ihrer Merkzeichen and Werke (1905); E. Hintze, Die breslauer Goldschmiede (1906); E. Alfred Jones, " The gold and silver plate of W. D. von Raitenau, See also:prince-See also:archbishop of See also:Salzburg, in the Pitti See also:Palace," Connoisseur, xviii. 20 (1907) ; " The Plate of the See also:Emperor of See also:Germany," Connoisseur, nos. 51 and 54; Illustrated Catalogue of Early German Art (See also:Burlington See also:Fine Arts See also:Club, 19o8); See also:Richard Graul, Leipziger Gold- and Silberschmiedearbeiten des Mittelalters (1908); A. See also:Weiss, Des Handwerk der Goldschmiede zu See also:Augsburg bis 2681; E. von Schauss, Die Schatzkammer des bayerischen Konigshauses; " See also:Duke of See also:Portland's Gold See also:Cup," Archeologia, lix. 233. See also:French, Burgundian, &c.—J.

C. Delafosse, Nouvelle iconologie historique, fol. (1771); E. Aubert, Tresor de l'abbaye de See also:

Saint-See also:Maurice d'Agaune (1872); Mely, Le Tresor de See also:Chartres (1886); L. Palustre et X. See also:Barbier de Montault, Le Tresor de Treves (1886); J. D'Arbaumont et L. Marchant, Le Tresor de la Sainte-Chapelle de See also:Dijon d'apres ses anciens inventaires (1887); C. G. Bapst, Etudes sur l'orfevrerie francaise au XVIIIe siecle, le Germain, orfevressculpteurs du See also:Roy (1887) ; See also:Album de l'exposition de l'art ancien au pays de See also:Liege: orfevrerie religieuse (1888); Catalogue raisonne des pieces d'orfevrerie francaise composant la collection du See also:marquis da Foz (a Lisbonne) (1889); L'Orfevrerie francaise a la tour de See also:Portugal au XVIII'. siecle (1892) ; E. Miintz, Histoire de l'art See also:pendant la See also:Renaissance (1891); W. Cripps, Old French Plate (1893); H.

Havard, Histoire de l'orfevrerie francaise (1896); Inventaire de l'orfevrerie et des joyaux de See also:

Louis I. (1903) ; E. See also:Molinier, Un See also:Monument d'orfevrerie francaise du XIII', siecle, Soc. des anciq. de See also:France, p. 477 (1904) ; F. See also:Pasquier, " Objets precieux de la maison de See also:Foix au quinzieme siecle," Societes des beaux arts, Memoires (19o4); L. de Farcy, " Croix de la See also:Roche-Foulques," Revue de l'art chretien, p. 337 (1905) ; J. J. Marquet de Vasselot, Catalogue raisonne de la collection See also:Martin Le Roy (1906); Histoire de See also:Part, ii. 988-999 (with bibliography), edited by See also:Andre See also:Michel (1907), &C.; A. Lefranc, 5o planches d'ancienne orfevrerie empire. See also:Low Countries.—Van Loon, Histoire metallique des Pays-Bas (See also:Hague, 1732-1737) ; Schaepkens, Tresor de l'art ancien en Belgique (1846); Tentoonstellung See also:Amsterdam (illustrations), (1877); for marks on Dutch plate, see Nederlandsche Kunstbode (1879); Exposition retrospective d'objets d'art en or et en argent, Amsterdam (188o); Roddaz, L'Art ancien dl'exposition nationale belge (1882) ; Leewarden-Provincial Friesch Genootschap (1902); Catalogue of the See also:Exhibition at See also:Bruges (1903); Catalogue of the Exhibition at Liege (1905); J. Helbig, L'Art Mosan.

See also:

Spanish.—Riano, Industrial Arts in See also:Spain (1879) ; Davillier, L'Orfevrerie en Espagne (1879); Museo espan"ol de antiguedades (1879); Jose Villaamil y See also:Castro (on Spanish chalices), Boletin de la sociedad espan"ola de excursiones (See also:April, 1893) ; El Tesoro de la catedral de See also:Santiago; H. P. Mitchell, Catalogue of the Silversmiths' Work in the .See also:Wyndham See also:Cook Art Collection (1905); L. See also:Williams, Arts and Crafts of Older Spain (1907); See also:Don Enrique de Leguina See also:Baron de la See also:Vega de Hoz, La See also:Plata espanola; Gestoso, Diccionario de artifices sevillanos. See also:American.— J. H. See also:Buck, Old Plate (1903); American Silver (See also:Boston, 1906); Colonial Silverware of the 17th and 28th centuries (1907); E. Alfred Jones, " Old American Silver Plate," Connoisseur (See also:December, 1908). English.—H. See also:Shaw, Dresses and Decorations of the See also:Middle Ages (1843); Decorative Arts of the Middle Ages (1851); See also:Bray, See also:Life of Stothard (1851); Catalogue of the Antiquities and Works of Art exhibited at Ironmongers' Hall (1861); Catalogue of the Exhibition of Objects of Art, See also:South See also:Kensington (1862) ; W. Cripps, See also:College and See also:Corporation Plate (1881) ; Old English Plate (9th ed., 1906) ; R. S.

See also:

Ferguson, The Old See also:Church Plate of the See also:Diocese of See also:Carlisle (1882) ; See also:Atkinson and See also:Foster, Old See also:Cambridge Plate (1883) ; W. A. See also:Scott See also:Robertson, Church Plate in See also:Kent (1886); R. C. See also:Hope, Church Plate in See also:Rutland (1887); J. E. See also:Nightingale, The Church Plate of See also:Dorset (1889); The Church Plate of Wilts (1891); A See also:Trollope, The Church Plate of See also:Leicestershire (189o); F. G. See also:Hilton See also:Price, Handbook of See also:London Bankers, with some See also:account of the Early Goldsmiths (1890–1891); H. D. See also:Ellis, The Silver Plate of the Armourers' Company (1892) ; The Silver Plate of the See also:Merchant Taylors' Company (1892) ; ' The Plate of See also:Christ's See also:Hospital," Trans. of the London and See also:Middlesex See also:Arch. Soc.

(1902, new See also:

series, vol. i., pt. 4); See also:Sir J. Watney, The Plate of the Mercers' Company (1892) ; Rev. T. See also:Burns, Old Scottish Communion Plate (1892); J. Starkie See also:Gardner, English Enamels (1894); Old Silver Work, chiefly English, 15th to 28th centuries (1902); " See also:Charles II. Silver at Welbeck," Burlington Mag. vol. vii. nos. 25 and 26; " Silver Plate of the Duke of Newcastle," Burlington Mag. vol. viii. no. 32; " Silver Plate of the Duke of Rutland," Burlington Mag. vols., viii. and ix, nos. 36 and 37; C. A. See also:Markham, The Church Plate of the See also:County of See also:Northampton (1894) ; Handbook to See also:Foreign Hall-marks (1898) ; E.

H. Freshfield, The Communion Plate of the Churches in the See also:

City of London (1894); The Communion Plate of the County of London (1895); The Communion Plate of Middlesex (1897); The Communion Plate of See also:Essex (1899); Sir W. Prideaux, Memorials of the Goldsmiths' Company (1896); L. Jewitt and W. H. St See also:John Hope, The Corporation Plate, &'c., of See also:England and See also:Wales (1895) ; W. Chaffers, Gilda Aurifabrorum (1896); Hall Marks on Gold and Silver Plate (1905); See also:Cyril See also:Davenport, The English See also:Regalia (1897); Haslewood, Church Plate of See also:Suffolk (1897); G. E. See also:Halliday, See also:Llandaff Church Plate (1901); A. See also:Butler, " The Old English Silver of the Innholders' Company," Connoisseur (1901), i. 236; " The Old English Silver of the Skinners' Company," Connoisseur (1903), V. 201, vi.

33 See also:

Percy McQuoid, " The Plate of See also:Winchester College," Burlington Mag. (1903) ii. 149; " See also:Evolution in English Plate," Burlington 11/lag. (1903) i. 167, 359; The History of English See also:Furniture (1904, &c.); See also:Stanhope and Moffatt, The Church Plate of the County of See also:Hereford, (1903); See also:Guide to the Early Christian .and See also:Byzantine Antiquities, British Museum (1903); General Guide to the Art Collections (Gold and Silver), See also:Science and Art Museum, See also:Dublin (1903) ; Montague See also:Howard, Old London Silver (1903) ; E. Radford, " The Church Plate of St See also:Lawrence Jewry," Connoisseur (1904), viii. 72; H. F. N. Jourdain, History of the See also:Mess Plate of the 88th See also:Regiment (1904); T. M. See also:Fallow, " See also:Yorkshire Plate and Goldsmiths," Journal of Arch.

Inst. of Great See also:

Britain (1904), lxi. 74; J. T. See also:Evans, The Church Plate of See also:Pembrokeshire (1905); The Church Plate of See also:Gloucestershire 0906); The Church Plate of See also:Carmarthenshire (1908) ; C. H. Ashdown, Notes on the Corporation Plate and Insignia of the City of St See also:Alban (1905); H. C. Casley, " An See also:Ipswich Worker of Elizabethan Church Plate," Suffolk Inst. of Arch. and Nat. Hist. (1905) vol. xii. pt. 2; F. See also:Guy Laking, The Furniture of Windsor Castle (1905); H.

C. Moffatt, Old See also:

Oxford Plate (1906); J. W. Caldicott, The Values of Old English Silver and Sheffield Plate (1906); E. Alfred Jones, " The Old Silver Sacramental Vessels of English See also:Nonconformity," Mag. of Fine Arts (1906), i. 28o, 371; The Church Plate of the Diocese of See also:Bangor (1906); The Old Church Plate of the Isle of Man (1907); The Old Silver Sacramental Vessels of Foreign See also:Protestant Churches in England (1907); Old English Gold Plate (1907) ; Illustrated Catalogue of See also:Leopold de Rothschild's Collection of Plate (1907) ; Two Illustrated Catalogues of J. Pierpont See also:Morgan's Collection of Plate (1907–1908) ; Old Plate at the Dublin Exhibition, 1907," Connoisseur (Dec. 1907); " English Plate at the Church See also:Congress, Great See also:Yarmouth," Burlington Mag. vol. xii. no. 57 (Dec. 1907) ; The Old Plate at the See also:Tower of London (1908) ; " The Civic Plate, Regalia, &c., of the See also:Norfolk Boroughs," Memorials of Old Norfolk (1908); The Old English Plate of the Czar of Russia (1909) ; The Old Plate of the Cambridge Colleges (1909) ; " Some Old Plate in the See also:possession of See also:Lord Mostyn," Burlington Mag. ; " The Plate of Jesus College, Oxford," Y Cymmrodor, vol. xvii. ; Guide to the See also:Medieval See also:Room, British Museum 9o7); See also:Nelson See also:Dawson, Goldsmiths' and Silversmiths' Work (1907);T.

S. See also:

Ball, Chester Church Plate (1908); R. H. Cocks, Concerning some Treasures of the Vintners' Company; Hope and Fallow, " English Medieval Chalices and Patens," Arch. Journal, xliii. 14o; C. J. Jackson, " The See also:Spoon and its History," Archaeologic, vol. liii. ; G. R. French, " The Plate of the Vintners' Company," London and Middlesex Arch. Soc.

Trans. vol. iii. ; " The Plate of the Mercers' Company," London and Middlesex Arch. Soc. Trans. vol. iv.; J. G. See also:

Nichols, " The Plate of the Stationers' Company," London and Middlesex Arch. Soc. Trans. vol. ii.; Article on " Drinking and other Horns," in Chester Arch. Soc. Journal, new series, vol. xi.; Somerset Arch. Soc. xlv. 2; See also:Oxfordshire Arch.

Soc. Proc. vols. See also:

xxvi., xxiv. ; Norfolk See also:Archaeology. Designs, &c.—J. Giardini, zoo Designs for Silversmiths' Work, (pub. in Rome, 1750) ; A. W. See also:Pugin, Designs for Gold- and Silversmiths, (1836); Andronet du Cerceau, Ornemens d'orfevrerie propres pour flanquer et emailler: nouveau livre d'ornemens d'orfevrerie (pub. Paris, c. 166o, London, '888); H. Bouchot, Cent modeles inedils de lorfevrerie francaise des 17' et 18' siecles executes See also:par les orfevressculpteurs royaux Nic. de Launay, J. J. Roettiers, T.

Germain, F. T. Germain et reproduits d'apres les dessins originaux de la bibliotheque nat. (1888) ; Le See also:

Cabinet des estampes de la bibliotheque nationale (1895); Reproductions of See also:Paul Flindt's designs for gold-smiths' work, published 1888; Reproductions d'anciennes gravures d'orfevrerie hollandaise (1892–1900); Collection of illustrations entitled Die Schatzkammer des Bayer-Konigshauses (1902). For an account of the See also:original drawings for silversmiths' work in the museum at Basle see Jahrbiicher der kgl. preuss. Kunstsammlungen (1905); Illustrated reproductions of goldsmiths' designs by the Dutch silversmith, Adam Vianen; See also:Etienne Delaune (1519–1583), Reproductions of his goldsmiths' ornaments, Paris; J. F. See also:Forty, Oeuvres d'orfevrerie a l'usage des eglises; J. C. Reiff. (18 Jahrh.), 4 Blatt sehr schone Zierrathen fur Goldschmiede, &c.; Giardini, Promptuarium artis argentariae (Rome, 1750) ; See also:Holbein, Original Designs for Plate, in the See also:Print Room, British Museum, and in the Bodleian at Oxford (the South Kensington Museum also has a fine collection of original 16th-century designs in See also:pen and See also:ink); Viane, See also:Models of Silver Vases, &c. (See also:Utrecht, 17th cent.) ; Loie, Brasiers.

. . et autres ouvrages de orfevrerie, and Nouveaux dessins de gueridons, &c. (Paris, n.d.); Maria, Livre de dessins de jouaillerie, &c. (Paris, n.d.); Portefeuille d'ornement (Paris, 1841).

End of Article: CX1

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